The Merry Wives of Windsor

June 9 to September 19, 2026 • BMO MAINSTAGE

This laugh-out-loud comedy comes to life as a music-filled production set in and around the community athletic centre of a (fictional) Vancouver suburb seriously obsessed with soccer. The roguish John Falstaff sets out to fix his financial woes by wooing two married women so that he can steal their husbands’ fortunes—only for his targets, Mrs. Ford and Mrs. Page, to come together and turn the tables on him. With lively musical numbers woven throughout, this production guarantees laughter, mischief, and merriment.

Adapted by Bruce Horak with Rebecca Northan
Directed by Rebecca Northan

Production Sponsor
Header image: Melissa Oei as Mrs. Ford & Jennifer Lines as Mrs. Page in The Merry Wives of Windsor (2026). Directed by Rebecca Northan. Photo & Image Design by Emily Cooper.

The Story

“WINDSOR IS OUR NAME”
Soccer is a way of life in the Vancouver suburb of Windsor, and at the heart of it all is the bustling Windsor Community and Athletic Centre.

The Windsor Stags women’s soccer team has just won the championship, and everyone is celebrating. Judge Robert Shallow arrives with his relative Slender. They are looking for John Falstaff, a former Windsor Stags star who has just swindled Slender out of their money.

When they confront Falstaff and his sidekicks Bardolph and Pistol, an argument ensues. Fortunately, they are interrupted by fans of the women’s soccer team arriving with their star player. Slender seems taken with the team’s captain, Anne Page, but Dr. Caius, the community centre chiropractor, is also hoping to win her heart. However, it seems that Anne Page only has eyes for the captain of the men’s soccer team, Fenton.

“THE WORLD’S MINE OYSTER”
Meanwhile, at Thirsty’s Pub, Falstaff hatches a plan to seduce Mrs. Ford and Mrs. Page, the wives of two wealthy community members, to access their fortunes. He writes love letters to both women, but Pistol refuses to play the messenger and further complicates things by telling Mr. Ford and Mr. Page about Falstaff’s scheme.

The next day, Mrs. Ford and Mrs. Page compare their letters from Falstaff and discover they are identical. The wives come up with a plan to turn the tables on Falstaff and exact some revenge. What they don’t realize is that their husbands know what Falstaff is up to—and that while Mr. Page knows his wife won’t fall for Falstaff’s advances, Mr. Ford is less certain.

THE BEAUTIFUL GAME
The game is afoot. Falstaff and Mrs. Ford rendezvous in the women’s change room, but Mrs. Page runs in, pretending Mr. Ford is on his way. They convince Falstaff to hide in a dirty laundry hamper, but to their surprise, Mr. Ford actually bursts in looking for Falstaff. However, the laundry has already been dumped in False Creek—with Falstaff in it.

Delighted, the two women decide to invite Falstaff to another secret meet-up. A jealous Mr. Ford barges in on them again, forcing Falstaff to disguise himself as Mrs. Page’s elderly aunt. The merry wives decide to finally let their husbands—and the rest of the community centre—in on the joke, and together, they come up with one last prank: one that involves a final hurrah on Falstaff’s beloved soccer pitch.

Director

Rebecca Northan (she/her)

Rebecca is delighted to be back at Bard on the Beach for her second Season, having previously directed The Comedy of Errors. She is a Canadian Comedy Award winner and has a few other trophies for acting and improvising. Rebecca is the Artistic Producer of Spontaneous Theatre and responsible for the hit shows Blind Date, Undercover, and Legend Has It. Most recently, Rebecca co-created and directed Murder-on-the-Lake for the Shaw Festival. Whenever Rebecca is in Vancouver, she can be found doing improv with her pals at Tightrope Theatre.

ACTORS

Rachel Angco (she/her)

Anne Page / Simple

Rachel is a Filipina-Canadian actor-musician based in Vancouver. A UBC BFA Acting alumni, recent theatre credits include Godspell (Chemainus); Son of a Preacherman (Pacific Theatre); and The Mad Ones (Sherwood Theatre), for which she received the Ovation! Award for Outstanding Lead Performance, Small Theatre. Her work also spans film, motion capture, commercial, and voice-over. A recent Master of Management graduate and recipient of the Canada Young Theatre Award for Outstanding Achievement, Rachel is thrilled for her Bard debut in The Merry Wives of Windsor and Macbeth, and beyond grateful for the community that has made it possible! @rachel.v.a

Yoshie Bancroft (she/her)

Hostess / Understudy for Anne Page & Simple

Bard debut. Select theatre: Forgiveness and Anne of Green Gables (Stratford); Mizushobai (Tableau d’Hote, META nominee); God Said This (Pacifi c Theatre); Forgiveness (Arts Club/Theatre Calgary); Exit, Pursued by a Bear (Globe Theatre); JAPANESE PROBLEM (Universal Limited/Soulpepper, Critic’s Choice Innovation Award winner); Pride and Prejudice (Chemainus); and Home Is A Beautiful Word (Belfry/Persephone). Select TV: Superman & Lois, Emily Owens, M.D, Bones of Crows, Bates Motel, and Loudermilk. Training: UBC. Yoshie is a Jessie Award winner and nominee and, recently, a UBCP/ACTRA Best Lead Performance in a Made for TV Movie nominee. Endless gratitude to our audiences and volunteers—thank you for valuing live theatre. Instagram: @yoshiebancroft

Kate Besworth (she/her)

Understudy for Mrs. Ford, Mrs. Page & Ms. Quickly

Kate is a theatre creator, performer, and writer who has performed leading roles in companies across Canada, from Mirvish to the Shaw Festival and from RMTC to Bard on the Beach. Recent credits: playwright for Antigone (Two Planks and a Passion, Bard on the Beach) and Done/Undone (Shakespeare on the Saskatchewan). Acted as Henry V in Henry V and Ophelia in Hamlet (Bard on the Beach); Lizzie Bennett in Pride and Prejudice (Western Canada/Gateway); and Jo March in Little Women (Arts Club). Kate is in love with Charlie Gallant.

Steffanie Davis (she/her)

Ms. Quickly

After her Bard debut last summer in Much Ado About Nothing and The Two Gentlemen of Verona, Steffanie is thrilled to be back on the BMO Mainstage! She is an artist and settler living on these stolen Coast Salish lands. She can often be found singing at local venues like Guilt & Co. Select credits: Kimberly Akimbo, Frozen, and Someone Like You (Arts Club); East Van Panto: Robin Hood and Beauty and the Beast (Theatre Replacement); Cabaret (Raincity); We Will Rock You (Theatre Under the Stars); and the “Leading Player Project” (EveryBODY on Stage). Next: Dracula, A Comedy of Terrors (Arts Club). IG: @steffwithanff

Craig Erickson (he/him)

Mr. Ford

Bard on the Beach: 12th Season. Theatre: (a) Winter’s Tale (The Ecstasy); The Complete Works of William Shakespeare (abridged) [revised] [again], The Two Gentlemen of Verona, Measure for Measure, As You Like It, and Julius Caesar (Bard on the Beach); Child-ish and Wakey, Wakey (Pacific Theatre); Hurricane Mona (Touchstone/Ruby Slippers); The Cull, Angels in America: Part One and Part Two, Cyrano de Bergerac, and The Glass Menagerie (Arts Club); Forget About Tomorrow (Belfry/Arts Club); Titus Bouffonius (Rumble); Proud (Firehall); The Invisible Hand (Pi); East Van Panto: Wizard of Oz (Theatre Replacement); and The Idiot (Neworld). Stratford Festival: 2 seasons. Shaw Festival: 2 seasons.

Lucas Gnoato (he/him)

Ensemble / Understudy for Fenton, Pistol & Rugby

Lucas is an actor born and raised in Vancouver, and he is very excited for his first Season at Bard. Some recent theatre roles for CapU Theatre include John Brooke, Little Women; Dr. Blighterbotch, The Government Inspector; and Tom Kreider, Radium Girls. He also just recently finished shooting a short film, “Changement,” where he played Gus. Lucas is just finishing the 3-year Acting for Stage and Screen program at Capilano University. In his free time, Lucas is playing guitar and singing or playing soccer and basketball, which occasionally find their way into his acting work.

Cameron Grant (he/him)

Fenton

Cameron has worked across Canada as a theatre creator. Recent acting: Scorpio Moon (Imago); Controlled Damage (Neptune/NAC, The Grand), The Fiancée (Persephone); Kim’s Convenience (Thousand Islands Playhouse); 1851: Spirit & Voice (Soulpepper); Serving Elizabeth (Stratford); and 4 seasons at the Shaw Festival. Directing: The Fiancée (Western Canada); The Assembly (Crossroads Theatre); and Twelfth Night (Theatre Erindale). As a playwright, Cameron’s first play Meet Chloe premiered at Ontario’s Carousel Players in 2021. Cameron is excited to return to Bard on the Beach after working as an Apprentice Director on Harlem Duet in 2022.

Sebastian Kroon (he/him)

Bardolph / Understudy for Mr. Ford

Sebastian first appeared at Bard for the inaugural season of the BMO Mainstage in 2011. He has worked around the globe as a performer, puppeteer, and musician. As a writer, his work has been seen on stages across the country and published in English and Polish. He also does commission painting and jewellery design. Sebastian was born and raised in southern Alberta but now happily resides in Vancouver with his partner Rebecca and they invite you over for tea! Call ahead.

Jacob Leonard (he/him)

Pistol / Rugby / Understudy for Dr Caius & Slender

Jacob is an actor, singer, and writer currently living in Vancouver, BC. He is incredibly grateful to be back at Bard this summer in his second Season under the tents. Other featured performances include The Two Gentlemen of Verona (Bard on the Beach); Shakespeare in Love (Metro); The Sound Inside (all day breakfast/The Search Party); and Forgiveness (Arts Club). He is a graduate of Studio 58. Check out his website at jacob-leonard.com. Thanks for coming to the theatre. Instagram: @jacob_leonard101

Jennifer Lines

Mrs. Page

Jennifer is thrilled to be back after playing Beatrice in last Season’s Much Ado About Nothing. She has performed locally and internationally for over 25 years with theatre companies such as Bard on the Beach (over 40 productions), the Arts Club, the Belfry, Touchstone, The Search Party, The Ecstasy, Ruby Slippers, Theatre Calgary, the Vancouver Playhouse, Caravan Farm, Axis, and many more. Raised on a ranch in Midway, BC, Jennifer is a two-time Jessie Award winner and received her BFA in Acting from UVic. TV/film credits include Mayfair Witches, The Irrational, Yellowjackets, and Resident Alien.

Yi Ming Liu (she/her)

Ensemble / Understudy for Hostess

Yi Ming is a Chinese-Canadian actor and sculptor based in “Vancouver.” As a graduate of UBC’s BFA in Acting program, she is dedicated to multimedia storytelling and devising theatre. Her previous works include Peihwen J. Tai’s The Yoko Ono Cult and UBC Theatre’s Saint Joan of the Stockyards (dir. Jacob Zimmer), Concord Floral (dir. Arthi Chandra), and The Wolves (dir. Leora Morris). Yi Ming is deeply honoured to join Bard’s Apprentice Actor cohort in her first Shakespeare production.

Paul Moniz de Sá (he/him)

Understudy for Falstaff / Shallow / Bardolph

Paul’s theatre credits include Benevolence (Ruby Slippers); Shakespeare in Love, The Taming of the Shrew, The Two Gentleman of Verona, The Merchant of Venice, and A Midsummer Night’s Dream (Bard on the Beach); and The Overcoat (Vancouver Playhouse). He received a Jessie Award for his work in The Lion, the Witch, and the Wardrobe for Pacific Theatre. Film and TV credits include Shogun, Watson, Fire Country, Falling Together, The BFG, Motherland: Fort Salem, and The Unforgivable. Paul was recently named the new Artistic Director of Studio 58 and is a graduate of the program.

Melissa Oei

Mrs. Ford

Previously for Bard on the Beach: Hippolyta, A Midsummer Night’s Dream (2022) and Apprentice Director, Love’s Labour’s Lost (2015). Favourite credits include Fire Never Dies: The Tina Modotti Project (Electric Company); The Mousetrap (Arts Club); A Doll’s House, Part 2 (Western Gold); Middletown (Stick & Stones); The Fiancée (Western Canada); Pride and Prejudice (Western Canada/Gateway); Lampedusa and Beautiful Man (Pi); The Café (Aphotic/ITSAZOO); Unexpecting (Zee Zee); and Like it or Not (Green Thumb). Melissa is a Jessie Award–winning actor and graduate of Studio 58. She lives in Vancouver with her partner Chad and their cats Zuzu and Totoro.

Zahf Paroo

Evans

Zahf is super jacked to be doing his first Season at Bard after having recently won a Jessie Award for his portrayal of Jalal in Behind the Moon (Touchstone). Stage credits include Bombay Dreams (Original Broadway Company); How to Survive an Apocalypse (Touchstone); Best Laid Plans (Touchstone/Patrick Street); and A Perfect Ganesh (Belfry). Film/TV credits include Defying Gravity, Altered Carbon, Malibu Rescue, Degrassi: The Next Generation, Seventh Son, Scooby-Doo 2, Allegiance, multiple Hallmark projects, and “DJ Deeznuts” on Wild Cards. He likes great food and awesome sneakers but dislikes talking about himself in the third person. Special thanks to the moon of my life, Mandy.

Raf Rogers

Dr. Caius / Understudy for Evans

Raf is a Vancouver-based stage and screen performer. His onscreen versatility includes credits on The A-Team, Supernatural, Valley of the Boom, and an upcoming Netfl ix series. Trained in mischief though improv, he brings sharp timing, grounded physicality, and playful presence to contemporary and classical roles, thriving in collaborative rooms where bold choices and character-driven storytelling lead the way. This is Raf’s first time performing with Bard on the Beach.

Anthony Santiago (he/him)

Shallow / Understudy for Mr. Page

Anthony is delighted to be back for his third Season at Bard on the Beach after having appeared in Coriolanus (2019) and Love’s Labour’s Lost and The Winter’s Tale (1997). Selected stage credits include Death and the King’s Horseman, King Lear, and The Diviners (Stratford); The Effect (Rumble/ITSAZOO); The Mousetrap and Sweat (Arts Club); Death of a Salesman and Angels in America, Part Two (Citadel); Oliver! and Anne of Green Gables (Gateway); Company (Raincity); Best of Enemies (Pacifi c Theatre); and A Prayer for Owen Meany and Dark Road (Ensemble Theatre). So much love to Alexis, James, and Nya-Manet.

Munish Sharma (he/him)

Mr. Page

It is a dream come true to work here. Thank you for coming. Thank you for your support. Grateful for the opportunity to be in such iconic shows with a wonderful team. I’ll still be grateful tomorrow, and tomorrow, and tomorrow. Shout out to my friends who always inspire me to be better. Love to my family. Thank you for always being there for me. Hard work pays off. Enjoy the show!

Sara Vickruck (they/them)

Slender

Sara is a multidisciplinary performer, actor, singer-songwriter, and theatre creator living on the unceded territories of the Halkomelem-speaking peoples. In addition to classical theatre, they are passionate about developing new works and collaborating on plays that integrate live music. Selected credits: Childish (Pacifi c Theatre); Circle Game (Firehall); Fun Home (Arts Club); and Peace Country (rice & beans), as well as multiple Seasons with Bard on the Beach. An award-winning artist, they received a Jessie Richardson Theatre Award for sound design, multiple OVATION! Awards, and the Stage West Equity Emerging Artist Award.

Ashley Wright (he/him)

Falstaff

ACTING: The Merry Wives of Windsor, Romeo and Juliet, King John, and King Lear (Bard on the Beach). Other credits: Little Shop of Horrors, Cost of Living, and Sweat (Arts Club); Shakespeare in Love, A Christmas Carol, and Hamlet (Citadel); Red Priest, The Black Rider, and Slavs! (Tarragon); As You Like It, Of Mice and Men, and Omnium Gatherum (Canadian Stage); The Trials of Ezra Pound (Stratford); and Room and Les Misérables (Mirvish). DIRECTING: Cats (Theatre Under the Stars); Deafy (Citadel/Canadian Tour); The Merry Wives of Windsor and Henry V (Freewill Shakespeare); Twelfth Night (Studio Theatre); and Silent Words (Workshop West).

Creative & Production

Jessica Bournival (she/her)

Assistant Stage Manager

Born in Laval, Montreal and raised in Maple Ridge, Jessica is a Vancouver based stage manager and alumna of Bishop’s University. She’s very excited to be returning to Bard on the Beach this summer. Previous Bard credits include Henry V and Romeo and Juliet. Other recent credits include Franklinland, Ring of Fire, and Sexy Laundry (Arts Club); Burning Mom (Belfry); Bunny and Fairview (The Search Party); Home and Theatrum (Hip.Bang!); The Tempest Project (Music on Main); Parifam (vAct); Ceci est une histoire d’amour and Le Soulier (La Seizième); and Th’owxiya: The Angry Feast Dish and Quelqu’un t’aime Monsieur Hatch (Axis).

Steve Charles

Composer & Sound Designer

Steve is a composer, performer, multi-instrumentalist and sound designer from Vancouver. Highlights include working with the Arts Club, vAct, Vancouver Playhouse/MTC, Boca del Lupo, and bluemouth inc. He music directs emerging Francophone artists with Pacifique en chanson each year for the CCAFCB. With the Escape Artists, he collaborated on Chelsea Hotel, Miss Shakespeare, J.Caesar, and Glory, and he continues to perform in their show Hey Viola! across Canada. He tours internationally with bands Jack Garton, Forro do Cana, and Viper Central and is in demand as a musician, songwriter, and theatre artist. stevenjohncharles.com. Thanks to my Assistant Sound Designer Gabriel van Selst!

Barbara Clayden

Costume Designer

Barbara has been designing costumes for over 45 years, working with both small and large theatre companies in Vancouver, including Firehall Arts Centre, Theatre Replacement, the Arts Club, and Bard on the Beach. Selected works in the last few years include Coriolanus and Hamlet (Bard on the Beach); East Van Panto: Wizard of Oz, Pinocchio, and Panto Come Home! (Theatre Replacement); Kinky Boots, Jersey Boys, and Little Women (Arts Club); and A Doll’s House, Part 2 (Western Gold). She has been nominated for over 15 Jessie Richardson Theatre Awards and won 8 for Outstanding Costume Design.

Lisa Goebel (she/her)

Choreographer & Intimacy Director

Delighted to be returning for her fifth Season, Lisa’s select credits include intimacy director for Harlem Duet and choreographer/intimacy director for Hamlet and The Dark Lady. Recent credits: intimacy director for La Bohème (Vancouver Opera); Wildwoman (Gateway/Alberta Theatre Projects); The Effect (Rumble/ITSAZOO); and Come from Away (Arts Club) and choreographer/intimacy director for Bright Star (Garner Theatre Productions/Mirvish). Lisa completed her Intimacy Certification through Intimacy Directors and Coordinators and is a graduate of Studio 58.

Jeff Harrison

Lighting Designer

Jeff is a four-time Jessie Award–winning lighting designer for his work on Pharaoh Serket and the Lost Stone of Fire (Carousel); Floyd Collins (Patrick Street); Blasted (Pi); and Hand to God (Arts Club). He is a member of the Associated Designers of Canada. Recent lighting credits: The Dark Lady (Bard on the Beach) and Tomson Highway’s Rose (NAC Indigenous Theatre).

Alana Hawley Purvis (she/her)

Voice & Text Coach

Alana is a professional actor and coach who has worked throughout North and Central America. She is a graduate of the Stratford Festival’s Birmingham Conservatory and holds her MFA from the American Academy for Classical Acting, as well as her ARCT in Voice from the Royal Conservatory of Music. A member of ACTRA/UBCP and CAEA, Alana has two decades of professional acting experience, working in both theatre and film/TV. Alana is an adjunct professor of voice at the University of British Columbia’s BFA Theatre & Film Program.

Jonathan Hawley Purvis

Fight Director

This is Jonathan’s sixth Season with Bard. Some of his choreography highlights include As You Like It, Hamlet, Henry V, Julius Caesar, Romeo and Juliet, Shakespeare in Love, The Taming of the Shrew, and Macbeth. He has worked as an actor and fight director in theatres across Canada and in the US. Jonathan also works as an actor and stunt performer in film and television, including The Last of Us, Tracker, Allegiance, Fire Country, When Calls the Heart, and Motherland. Love to his family.

Geoff Jones (he/him)

Stage Manager

Geoff is a Vancouver-based stage manager. Some of his recent stage management and assistant stage management credits include Kimberly Akimbo, Little Women, Elf: The Musical, A Thousand Splendid Suns, The Great Leap, and Angels in America, Part One and Part Two (Arts Club); Much Ado About Nothing (Bard on the Beach); East Van Panto: Robin Hood (Theatre Replacement); You used to call me Marie... and Little Red Warrior and His Lawyer (Savage Society); The Nutcracker, The Coyotes, Sedna, The Gift of the Magi, and Our Town (Caravan Farm); and King Arthur’s Night (Neworld). Geoff is a graduate of Studio 58.

Samantha Levy (she/her)

Apprentice Director

Samantha is a performer, director, deviser, and educator. Her art reflects her love of clown, improvisation, music, and classic text. As an emerging director, some things Sam has helped create include Bitches with Baggage (Vancouver Fringe/Roomie Productions); Dissolve (Shameless Hussy, as Assistant Director to Renee Iaci); and the remount of How to Disappear Completely (The Chop/The Cultch, as Assistant Director to Anita Rochon and James Long). As an actor, she is both a Jessie Award nominee and an OVATION! Award nominee. She is a former Riotous Youth and a graduate from the Acting program at Studio 58.

Alison Matthews

Voice & Text Coach

Alison teaches voice for the University of Alberta’s BFA Acting program and coordinates the MFA in Theatre Voice Pedagogy. She holds an MFA in Theatre from UBC and a Diploma in Drama & Speech from Trinity College London. She was a founding faculty member with the Arts Club Actor’s Intensive and taught voice, text, and dialects with the Banff/Citadel Professional Theatre Program. Alison is a founding board member of the National Voice Association and currently serves as Member-at-Large and Co-Chair of the Membership Committee. A member of UBCP/ACTRA and CAEA, she has three decades of acting experience in theatre, film/TV, and voice-over. alisonmatthews.com

Amir Ofek

Set Designer

Education: Central Saint Martins College of Art & Design (BFA), Brandeis University (MFA). Previously for Bard: Henry V (2023), A Midsummer Night’s Dream (2022), and Pericles (2016).

Jenica Ross

Assistant to the Set Designer

This is Jenica’s third year with Bard on the Beach. Coming from UBC’s Bachelor of Environmental Design program, she has found her way to working full-time in theatre as a scenic carpenter, set designer, design assistant, and draftsperson. Jenica remains grateful for the opportunity to work for Bard this Season.

Caroline Tang (any)

Apprentice Stage Manager

Caroline 曉鳳 is a stage manager based on the unceded territories of the xʷməθkwəy̓əm, hən̓q̓əmin̓əm̓, and Coast Salish Nations. A graduate of UBC’s Theatre Production and Design program, Caroline is grateful for her mentors, loved ones, and Bard for another fun-fi lled summer! Select stage management credits: Così fan tutte (Vancouver Opera); Much Ado About Nothing and The Two Gentlemen of Verona (Bard on the Beach); Someone Like You (Arts Club on Tour); East Van Panto: West Van Story, Robin Hood, and Beauty and the Beast (Theatre Replacement); Parifam (vAct); and Newsies (Theatre Under the Stars).

Ganesh Thava (he/him)

Apprentice Director

Ganesh is a Tamil-Canadian writer, director, and actor. He trained at George Brown Theatre School and the Neighborhood Playhouse in New York and holds a Bachelor of Commerce from TMU. His theatre credits include the Toronto Fringe hit Koli Kari and directing This Is Not Me. He has worked with Factory Theatre, Tarragon, Soulpepper, and Crow’s Theatre. His films, including “The Orchid and The Tree,” “Bark,” and “Imposter” have screened across North America and Asia. He has trained in filmmaking with Reel Asian, Reelworld, and Sundance and runs a company supporting diverse stories on stage and screen.

Jillian White

Assistant Lighting Designer

Jill is a queer lighting designer living on the unceded territories of the xʷməθkʷəy ̓əm (Musqueam), Skwxwú7mesh (Squamish), and səlilwətaɬ (Tsleil-Waututh) peoples. After a decade at Caravan Farm Theatre, Jill is putting roots back down in the Lower Mainland. She is a three-time Jessie Award nominated designer, Capilano University graduate, and member of IATSE Local ADC659. Credits: Hey Viola! (Musical TheatreWorks); Never the Last (Delinquent), Little Women (Arts Club); Blackhorse and The Nutcracker (Caravan Farm); Steel Magnolias (Globe Theatre); Certified (Touchstone); and Inheritance (Alley/Touchstone). When Jill isn’t working, she likes to knit and go on adventures with her fiancé, Harrison. jillianwhite.com