Antigone

June 30 to September 18, 2026 • Douglas Campbell Theatre

This bold new adaptation by local playwright Kate Besworth presents Sophocles’ classic Greek tragedy for a contemporary audience. Antigone, the daughter of Oedipus, defies King Creon’s decree by burying her rebel brother in the aftermath of a civil war, setting off a chain of events that pits family loyalty against political authority—with devastating consequences. Exploring themes of resistance, voice, and generational reckoning, Antigone is raw, timely, and emotionally potent, offering a story as relevant now as it was in ancient Greece.

Adapted by Kate Besworth
Directed by Ming Hudson

Supported by

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Header: Yoshie Bancroft as Antigone in Antigone (2026). Directed by Ming Hudson. Photo & Image Design by Emily Cooper.

The Story

A chorus enters and calls forth a story from the ages: one of a king’s self-imposed exile, a city plunged into civil war, and four siblings torn apart by forces beyond their control.

After Oedipus handed over the crown, his sons, Polynices and Eteocles, became the shared rulers of Thebes. When Eteocles refused to give the throne back to Polynices as promised, a war broke out, and the brothers killed each other in battle. As the play begins, their mother, Jocasta, and their sisters, Antigone and Ismene, are left behind to pick up the pieces of a shattered family.

The kingdom is now ruled by their uncle, Jocasta’s brother Creon. Creon decrees that since Eteocles was the honourable brother, he will be given a proper burial, ensuring the salvation of his soul. As punishment for rebelling, Polynices is to be left in the sand outside of the city limits to rot in the sun, and anyone who attempts to bury him will be sentenced to death. However, without the proper funeral rites, Polynices’ spirit cannot cross over into the afterlife.

Antigone asks Ismene if she will help bury their brother, but Ismene does not want to take part in her family’s tragic story. Antigone will have to bury Polynices on her own. But Antigone has always known she would need to act alone. In fact, she has already buried Polynices that morning. By the time she reaches home, Creon’s forces have already undone all of her work. Antigone must cover Polynices again, but this second time, the guards catch her at the body with her hands in the sand.

Antigone is brought before Creon to face punishment. Creon wants to let his niece go, but Antigone vows to continue trying to bury Polynices because she knows that it is the right thing to do. Creon asks Antigone to think about his son, Haimon, to whom she is engaged, and how heartbroken Haimon will be if she dies. But she stands firm. Antigone tells the new king that he will look weak if he goes back on his first order, and that he has no choice but to sentence her to death.

Creon delivers the news of Antigone’s sentencing to Haimon, as Jocasta visits Antigone in prison. Finally, exiled to a cave in the desert to starve, Antigone confronts her impending death, hoping those left behind will be changed by her choices.

Director

Ming Hudson (she/her)

Ming is a Vancouver-based artist who pays rent on lands stolen from the Musqueam, Squamish, and Tsleil-Waututh Nations. For over 20 years, she has worked as a freelance performer, collaborative director, devised theatre creator, independent producer, and teaching artist on the West Coast, across Canada, and abroad. A graduate of the Creating Theatre and Performance program at LISPA (now arthaus.berlin), she also holds an MA in Ensemble Theatre (Rose Bruford) and a BFA in Acting (UVic). Select directing credits include Zee Zee, 25th Street, Studio 58, UBC, Two Planks and a Passion, Chemainus, and Green Thumb. minghudson.com

Actors

Yoshie Bancroft (she/her)

Antigone

Bard debut. Select theatre: Forgiveness and Anne of Green Gables (Stratford); Mizushobai (Tableau d’Hote, META nominee); God Said This (Pacifi c Theatre); Forgiveness (Arts Club/Theatre Calgary); Exit, Pursued by a Bear (Globe Theatre); JAPANESE PROBLEM (Universal Limited/Soulpepper, Critic’s Choice Innovation Award winner); Pride and Prejudice (Chemainus); and Home Is A Beautiful Word (Belfry/Persephone). Select TV: Superman & Lois, Emily Owens, M.D, Bones of Crows, Bates Motel, and Loudermilk. Training: UBC. Yoshie is a Jessie Award winner and nominee and, recently, a UBCP/ACTRA Best Lead Performance in a Made for TV Movie nominee. Endless gratitude to our audiences and volunteers—thank you for valuing live theatre. Instagram: @yoshiebancroft

Kate Besworth (she/her)

Ismene / Chorus

Kate is a theatre creator, performer, and writer who has performed leading roles in companies across Canada, from Mirvish to the Shaw Festival and from RMTC to Bard on the Beach. Recent credits: playwright for Antigone (Two Planks and a Passion, Bard on the Beach) and Done/Undone (Shakespeare on the Saskatchewan). Acted as Henry V in Henry V and Ophelia in Hamlet (Bard on the Beach); Lizzie Bennett in Pride and Prejudice (Western Canada/Gateway); and Jo March in Little Women (Arts Club). Kate is in love with Charlie Gallant.

Cameron Grant (he/him)

Haimon / Polynices / Chorus

Cameron has worked across Canada as a theatre creator. Recent acting: Scorpio Moon (Imago); Controlled Damage (Neptune/NAC, The Grand), The Fiancée (Persephone); Kim’s Convenience (Thousand Islands Playhouse); 1851: Spirit & Voice (Soulpepper); Serving Elizabeth (Stratford); and 4 seasons at the Shaw Festival. Directing: The Fiancée (Western Canada); The Assembly (Crossroads Theatre); and Twelfth Night (Theatre Erindale). As a playwright, Cameron’s first play Meet Chloe premiered at Ontario’s Carousel Players in 2021. Cameron is excited to return to Bard on the Beach after working as an Apprentice Director on Harlem Duet in 2022.

Jennifer Lines

Jocasta / Chorus

Jennifer is thrilled to be back after playing Beatrice in last Season’s Much Ado About Nothing. She has performed locally and internationally for over 25 years with theatre companies such as Bard on the Beach (over 40 productions), the Arts Club, the Belfry, Touchstone, The Search Party, The Ecstasy, Ruby Slippers, Theatre Calgary, the Vancouver Playhouse, Caravan Farm, Axis, and many more. Raised on a ranch in Midway, BC, Jennifer is a two-time Jessie Award winner and received her BFA in Acting from UVic. TV/film credits include Mayfair Witches, The Irrational, Yellowjackets, and Resident Alien.

Paul Moniz de Sá (he/him)

Creon / Chorus

Paul’s theatre credits include Benevolence (Ruby Slippers); Shakespeare in Love, The Taming of the Shrew, The Two Gentleman of Verona, The Merchant of Venice, and A Midsummer Night’s Dream (Bard on the Beach); and The Overcoat (Vancouver Playhouse). He received a Jessie Award for his work in The Lion, the Witch, and the Wardrobe for Pacific Theatre. Film and TV credits include Shogun, Watson, Fire Country, Falling Together, The BFG, Motherland: Fort Salem, and The Unforgivable. Paul was recently named the new Artistic Director of Studio 58 and is a graduate of the program.

Rebecca Northan (she/her)

Understudy for Jocasta & Creon

Rebecca is delighted to be back at Bard on the Beach for her second Season, having previously directed The Comedy of Errors. She is a Canadian Comedy Award winner and has a few other trophies for acting and improvising. Rebecca is the Artistic Producer of Spontaneous Theatre and responsible for the hit shows Blind Date, Undercover, and Legend Has It. Most recently, Rebecca co-created and directed Murder-on-the-Lake for the Shaw Festival. Whenever Rebecca is in Vancouver, she can be found doing improv with her pals at Tightrope Theatre.

Azeen Zare (she/her)

Chorus / Understudy for Antigone & Ismene

Azeen is a British-Iranian actor born in the small town of South Shields, England. She moved to Vancouver in 2017 and earned her Acting for Stage and Screen diploma from Capilano University. Her theatre credits include Narrator in A Christmas Carol at the BlueShore Theatre, directed by Nicholas Harrison; and Pauline and Roscoe Crabbe in One Man, Two Guvnors, directed by Cathy Wilmot. Drawn to culturally rich storytelling, Azeen hopes to travel the world, believing that understanding different cultures is the key to connecting with the heart of an audience.

Creative & Production

Seamus Fera (he/him)

Apprentice Director

Seamus is thrilled to be joining the 2026 Company after being a member of the Riotous Youth. He was nominated for a Jessie Richardson Theatre Award for his production of A Doll’s House, Part 2 (Western Gold/Pacific Theatre). Other credits include Metamorphoses (United Players); Bare (Eternal Theatre Collective); and MilkMilkLemonade (Awkward Stage Productions). He has also assistant directed with the Arts Club, Western Gold Theatre, and United Players. He is the literary manager for Western Gold Theatre, serves as an arts educator around the Lower Mainland, and has directed over fifteen touring productions for youths and teens.

Lisa Goebel (she/her)

Intimacy Director

Delighted to be returning for her fifth Season, Lisa’s select credits include intimacy director for Harlem Duet and choreographer/intimacy director for Hamlet and The Dark Lady. Recent credits: intimacy director for La Bohème (Vancouver Opera); Wildwoman (Gateway/Alberta Theatre Projects); The Effect (Rumble/ITSAZOO); and Come from Away (Arts Club) and choreographer/intimacy director for Bright Star (Garner Theatre Productions/Mirvish). Lisa completed her Intimacy Certification through Intimacy Directors and Coordinators and is a graduate of Studio 58.

Alana Hawley Purvis (she/her)

Voice & Text Coach

Alana is a professional actor and coach who has worked throughout North and Central America. She is a graduate of the Stratford Festival’s Birmingham Conservatory and holds her MFA from the American Academy for Classical Acting, as well as her ARCT in Voice from the Royal Conservatory of Music. A member of ACTRA/UBCP and CAEA, Alana has two decades of professional acting experience, working in both theatre and film/TV. Alana is an adjunct professor of voice at the University of British Columbia’s BFA Theatre & Film Program.

Jonathan Hawley Purvis

Fight Director & Movement Consultant

This is Jonathan’s sixth Season with Bard. Some of his choreography highlights include As You Like It, Hamlet, Henry V, Julius Caesar, Romeo and Juliet, Shakespeare in Love, The Taming of the Shrew, and Macbeth. He has worked as an actor and fight director in theatres across Canada and in the US. Jonathan also works as an actor and stunt performer in film and television, including The Last of Us, Tracker, Allegiance, Fire Country, When Calls the Heart, and Motherland. Love to his family.

Jenny Kim (she/her)

Assistant Stage Manager

Jenny is honoured and pleased to be able to work with such talented individuals on both productions. For Bard: The Dark Lady, The Complete Works of William Shakespeare (abridged) [revised] [again], The Comedy of Errors, Measure for Measure, and Henry V. Other theatre credits: Franklinland (Arts Club); Mahabharata and What You Won’t Do For Love (Why Not); East Van Panto: Beauty and the Beast (Theatre Replacement); Teenage Dick, No Child..., Cipher, Sweat, Red Velvet, and Miracle on 34th Street (Arts Club); The Café (Aphotic/ITSAZOO); The Mountaintop (Pacific Theatre); 상자 SANGJA (Pangaea Arts/ArtStageSan); and China Doll (Gateway).

Alison Matthews

Voice & Text Coach

Alison teaches voice for the University of Alberta’s BFA Acting program and coordinates the MFA in Theatre Voice Pedagogy. She holds an MFA in Theatre from UBC and a Diploma in Drama & Speech from Trinity College London. She was a founding faculty member with the Arts Club Actor’s Intensive and taught voice, text, and dialects with the Banff/Citadel Professional Theatre Program. Alison is a founding board member of the National Voice Association and currently serves as Member-at-Large and Co-Chair of the Membership Committee. A member of UBCP/ACTRA and CAEA, she has three decades of acting experience in theatre, film/TV, and voice-over. alisonmatthews.com

Rebecca Mulvihill (she/her)

Stage Manager

Rebecca is very happy to return to Bard on the Beach for her 11th Season. Other theatre credits: fourteen seasons with the Arts Club, favourite credits there include Burning Mom, The Cull, Topdog/Underdog, and The Shoplifters; The Search Party’s inaugural production of The Father, as well as Bunny, Stupid F*cking Bird, Fairview, and The Amaryllis; and productions with Music on Main, La Seizième, Electric Company, Vancouver Opera, and many more. Rebecca lives with her partner Sebastian, and sends thanks to her family for their support.

Jessica Oostergo

Set & Costume Designer

Jessica is a set and costume designer born and raised in Vancouver, BC, and a new resident of Edmonton. She is a four-time Jessie Award winner with eight nominations and a graduate of Studio 58 and Emily Carr. Select credits: Death of a Salesman (Citadel); Elf (RMTC); Die Walküre and Siegfried (Edmonton Opera); Heist (The Grand/Citadel); A Streetcar Named Desire (Citadel/Theatre Calgary); The Sound of Music (The Grand/RMTC/Citadel); The Play That Goes Wrong, Ring of Fire, and The Legend of Georgia McBride (Arts Club); Dance Nation and Bunny (The Search Party); An Undeveloped Sound (Electric Company); and Julius Caesar (Bard on the Beach). jessicaoostergo.com

Joelysa Pankanea

Composer, Musical Director & Sound Designer

Joelysa is a multiple award-winning composer, musical director, and sound designer whose work in theatre is recognized for its haunting melodic voice and her ability to shape story through sound with depth and restraint. She has contributed to more than 100 productions nationwide and composed a dozen original large-scale musical adaptations for the stage. Joelysa is thrilled to be back at Bard for this gorgeous adaptation of Antigone. Recent theatre credits: Life of Pi (Citadel) and Death of a Salesman (Citadel/Arts Club). Upcoming: The Great Gatsby (Citadel/The Grand/RMTC). You can follow Joelysa on Instagram at @joelysa_composer or visit joelysa.com for more.

Ganesh Thava (he/him)

Apprentice Director

Ganesh is a Tamil-Canadian writer, director, and actor. He trained at George Brown Theatre School and the Neighborhood Playhouse in New York and holds a Bachelor of Commerce from TMU. His theatre credits include the Toronto Fringe hit Koli Kari and directing This Is Not Me. He has worked with Factory Theatre, Tarragon, Soulpepper, and Crow’s Theatre. His films, including “The Orchid and The Tree,” “Bark,” and “Imposter” have screened across North America and Asia. He has trained in filmmaking with Reel Asian, Reelworld, and Sundance and runs a company supporting diverse stories on stage and screen.

John Webber

Lighting Designer

John is honoured to be back once again at Bard. A longtime designer of both sets and lighting, he has had the privilege of working with some of Canada’s most talented and adventurous artists. Past credits at Bard include Timon of Athens, Lysistrata, Othello, Pericles, Titus Andronicus, The Tempest, and Julius Caesar, and serving as Production Manager from 1997–2004.

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