Macbeth
June 11 to September 18, 2026 • BMO MAINSTAGE
“What’s done cannot be undone.” A thrilling exploration of fate, desire, and downfall, Macbeth tells the tragic tale of a victorious general who learns from a prophecy that he will become King. Spurred by his own desires and the ruthless encouragement of his wife, Macbeth murders King Duncan and seizes the crown, before descending into tyranny as he tries to hold onto his throne. Stark design and stylized visuals heighten themes of power and paranoia drawing audiences deep into a world that is as haunting as it is unforgettable.
Directed & Adapted by Stephen Drover
Production Sponsor

Header image: Munish Sharma as Macbeth in Macbeth (2026). Directed by Stephen Drover. Photo & Image Design by Emily Cooper.
The Story
“THIS SUPERNATURAL SOLICITING”
Amidst a desolate wasteland, a tale of prophecy, power, and paranoia unfolds.
Macbeth and Banquo have commanded King Duncan’s forces to victory against a rebellion led by the traitorous Thane of Cawdor. On their way home, they come across three mysterious figures who tell Macbeth that he will be named Thane of Cawdor, and then King. When Banquo presses them, they reveal that Banquo will not be King, but his children will be. A noble, Ross, arrives soon after with news: to honour Macbeth’s success in battle, Duncan has named him the new Thane of Cawdor. Despite this turn of events, Macbeth is determined to not do anything about the prophecy.
“THE BLOODY BUSINESS”
In their home of Dunsinane, Macbeth’s wife learns about his fateful encounter. When she receives word that Duncan will be visiting, she seizes the opportunity. Though he is unsure at first, she convinces Macbeth to kill Duncan so that he can become King. Later that day, Duncan arrives with his sons Malcolm and Donalbain, Banquo and his son Fleance, and the nobles Lennox, Macduff, and Ross.
That night, Lady Macbeth drugs Duncan’s attendants so that Macbeth can sneak into Duncan’s room when they are asleep. Macduff discovers Duncan’s dead body the next morning, and the guards are framed for his murder. Malcolm and Donalbain flee, fearing for their own lives.
“WHAT’S DONE CANNOT BE UNDONE”
Macbeth is named King, but his work is not done yet—not when Banquo is prophesized to father a line of kings. Macbeth hires three men to kill Banquo and Fleance, but Fleance manages to escape.
Later that evening, the Macbeths hold a feast. However, it takes a turn when Macbeth is left shaken by the sight of Banquo’s bloody, living corpse at the table.
The next day, the Macbeths speak to the three prophetic figures. They tell Macbeth that he cannot be harmed by anyone born from a woman, nor until the trees in Birnam Wood march to Dunsinane.
However, Banquo’s children will still become king. Furious, Macbeth orders an attack on Macduff’s family. His wife and children are killed, but Macduff is with Malcolm, raising an army against Macbeth. Will it be enough to put an end to Macbeth’s reign of terror, or will the prophecy that Macbeth “shall never vanquish’d be” hold true?
Director
Stephen Drover
(he/him)
Stephen is a dramaturg and director. He holds an MFA in Directing from UBC and an MA in Theatre Theory and Dramaturgy from the University of Ottawa. For Bard on the Beach he has directed Hamlet and adapted Julius Caesar. He is a four-time recipient of a Jessie Richardson Theatre Award for directing, has worked as a director or dramaturg on over 60 professional theatre productions across Canada, and has published research on Shakespeare adaptation process analysis in Shakespeare Bulletin. Stephen has taught and directed at Memorial University of Newfoundland, Douglas College, Neptune Theatre School, Studio 58, and UBC.
Actors
Rachel Angco (she/her)
Fleance / Macduff's Child / Soldier
Rachel is a Filipina-Canadian actor-musician based in Vancouver. A UBC BFA Acting alumni, recent theatre credits include Godspell (Chemainus); Son of a Preacherman (Pacific Theatre); and The Mad Ones (Sherwood Theatre), for which she received the Ovation! Award for Outstanding Lead Performance, Small Theatre. Her work also spans film, motion capture, commercial, and voice-over. A recent Master of Management graduate and recipient of the Canada Young Theatre Award for Outstanding Achievement, Rachel is thrilled for her Bard debut in The Merry Wives of Windsor and Macbeth, and beyond grateful for the community that has made it possible! @rachel.v.a
Steffanie Davis (she/her)
Lady Macduff / Porter / Citizen
After her Bard debut last summer in Much Ado About Nothing and The Two Gentlemen of Verona, Steffanie is thrilled to be back on the BMO Mainstage! She is an artist and settler living on these stolen Coast Salish lands. She can often be found singing at local venues like Guilt & Co. Select credits: Kimberly Akimbo, Frozen, and Someone Like You (Arts Club); East Van Panto: Robin Hood and Beauty and the Beast (Theatre Replacement); Cabaret (Raincity); We Will Rock You (Theatre Under the Stars); and the “Leading Player Project” (EveryBODY on Stage). Next: Dracula, A Comedy of Terrors (Arts Club). IG: @steffwithanff
Tess Degenstein
Lady Macbeth
As an actor and improvisor, Tess has performed across the country, recently touring Spontaneous Theatre’s Blind Date. Internationally, she has performed in Vienna, Berlin, Athens, London, Oslo, and Atlanta. She was awarded a Jessie Richardson Theatre Award for Noises Off at the Arts Club. Television credits include New Eden, So Help Me Todd, and Murdoch Mysteries. Film credits include The Players, The Monkey, and Keeper. The short film “How Brief,” which she wrote and stars in, recently received its world premiere at Sundance. This is Tess’ third Season at Bard and she is grateful to be back. Thank you to Nathan!
Craig Erickson (he/him)
Figure / Murderer / Soldier / Understudy for Macduff & Lord
Bard on the Beach: 12th Season. Theatre: (a) Winter’s Tale (The Ecstasy); The Complete Works of William Shakespeare (abridged) [revised] [again], The Two Gentlemen of Verona, Measure for Measure, As You Like It, and Julius Caesar (Bard on the Beach); Child-ish and Wakey, Wakey (Pacific Theatre); Hurricane Mona (Touchstone/Ruby Slippers); The Cull, Angels in America: Part One and Part Two, Cyrano de Bergerac, and The Glass Menagerie (Arts Club); Forget About Tomorrow (Belfry/Arts Club); Titus Bouffonius (Rumble); Proud (Firehall); The Invisible Hand (Pi); East Van Panto: Wizard of Oz (Theatre Replacement); and The Idiot (Neworld). Stratford Festival: 2 seasons. Shaw Festival: 2 seasons.
Bruce Horak (he/him)
Understudy for Macbeth, Ross, Lennox & Citizen
Bruce is originally from Calgary, Alberta, where he trained in theatre and improvisation. He has worked professionally in Canadian theatre for over 30 years as an actor, writer, musician, composer, director, and producer. He portrayed Lt. Hemmer on Star Trek: Strange New Worlds and Lt. Col. Edwin Baker in the Historica Canada Heritage Minute. He was awarded the King Charles III Medal in 2024 for his work in disability arts advocacy. When not creating new works and performing on stage, Bruce devotes his time to painting. More of his work can seen at brucehorak.com.
Sebastian Kroon (he/him)
Banquo / Seyton
Bard on the Beach: 12th Season. Theatre: (a) Winter’s Tale (The Ecstasy); The Complete Works of William Shakespeare (abridged) [revised] [again], The Two Gentlemen of Verona, Measure for Measure, As You Like It, and Julius Caesar (Bard on the Beach); Child-ish and Wakey, Wakey (Pacific Theatre); Hurricane Mona (Touchstone/Ruby Slippers); The Cull, Angels in America: Part One and Part Two, Cyrano de Bergerac, and The Glass Menagerie (Arts Club); Forget About Tomorrow (Belfry/Arts Club); Titus Bouffonius (Rumble); Proud (Firehall); The Invisible Hand (Pi); East Van Panto: Wizard of Oz (Theatre Replacement); and The Idiot (Neworld). Stratford Festival: 2 seasons. Shaw Festival: 2 seasons.
Ellis Lalonde
Understudy for Donalbain, Fleance, Macduff's Child, Figure, Murderer & Solider
What a thrill it is to be performing at Bard on the Beach for the very first time! Previous theatre credits include Chrismoose Carol (Loose Moose Theatre); Charlotte’s Web (Alberta Theatre Projects); An Undiscovered Shakespeare (Stratford); and Legend Has It (Alberta Theatre Projects, Brooklyn Academy of Music, Magnetic North Festival). You might also recognize Ellis’ hand movements from some of the background characters in Fraggle Rock: Back to the Rock (AppleTV+).
Tai Leathem (he/him)
Donalbain / Murderer / Soldier / Understudy for Malcolm & CItizen
Tai is thrilled to join Bard on the Beach this Season as an Apprentice Actor, appearing in Macbeth under the direction of Stephen Drover. He plays Donalbain, a Murderer, and a Soldier, proving he can both flee quickly on foot and become easily manipulated when it comes to murder. From Yellowknife, NT, Tai moved to Vancouver three years ago to pursue acting. He is a 2025 graduate of Capilano University’s Acting for Stage and Screen program. A few credits include Romeo in Romeo and Juliet, directed by Bob Frazer; and the Waiter in One Man, Two Guvnors, directed by Cathy Wilmot.
Jacob Leonard (he/him)
Macduff / Lord
Bard on the Beach: 12th Season. Theatre: (a) Winter’s Tale (The Ecstasy); The Complete Works of William Shakespeare (abridged) [revised] [again], The Two Gentlemen of Verona, Measure for Measure, As You Like It, and Julius Caesar (Bard on the Beach); Child-ish and Wakey, Wakey (Pacific Theatre); Hurricane Mona (Touchstone/Ruby Slippers); The Cull, Angels in America: Part One and Part Two, Cyrano de Bergerac, and The Glass Menagerie (Arts Club); Forget About Tomorrow (Belfry/Arts Club); Titus Bouffonius (Rumble); Proud (Firehall); The Invisible Hand (Pi); East Van Panto: Wizard of Oz (Theatre Replacement); and The Idiot (Neworld). Stratford Festival: 2 seasons. Shaw Festival: 2 seasons.
Melissa Oei
Ross / Citizen / Understudy for Lady Macbeth
Previously for Bard on the Beach: Hippolyta, A Midsummer Night’s Dream (2022) and Apprentice Director, Love’s Labour’s Lost (2015). Favourite credits include Fire Never Dies: The Tina Modotti Project (Electric Company); The Mousetrap (Arts Club); A Doll’s House, Part 2 (Western Gold); Middletown (Stick & Stones); The Fiancée (Western Canada); Pride and Prejudice (Western Canada/Gateway); Lampedusa and Beautiful Man (Pi); The Café (Aphotic/ITSAZOO); Unexpecting (Zee Zee); and Like it or Not (Green Thumb). Melissa is a Jessie Award–winning actor and graduate of Studio 58. She lives in Vancouver with her partner Chad and their cats Zuzu and Totoro.
Zahf Paroo
Figure / Sergeant / Soldier / Understudy for Banquo & Seyton
Zahf is super jacked to be doing his fi rst Season at Bard after having recently won a Jessie Award for his portrayal of Jalal in Behind the Moon (Touchstone). Stage credits include Bombay Dreams (Original Broadway Company); How to Survive an Apocalypse (Touchstone); Best Laid Plans (Touchstone/Patrick Street); and A Perfect Ganesh (Belfry). Film/TV credits include Defying Gravity, Altered Carbon, Malibu Rescue, Degrassi: The Next Generation, Seventh Son, Scooby-Doo 2, Allegiance, multiple Hallmark projects, and “DJ Deeznuts” on Wild Cards. He likes great food and awesome sneakers but dislikes talking about himself in the third person. Special thanks to the moon of my life, Mandy.
Raf Rogers
Figure / Murderer / Soldier / Understudy for Figure, Murderer, Soldier & Sergeant
Raf is a Vancouver-based stage and screen performer. His onscreen versatility includes credits on The A-Team, Supernatural, Valley of the Boom, and an upcoming Netfl ix series. Trained in mischief though improv, he brings sharp timing, grounded physicality, and playful presence to contemporary and classical roles, thriving in collaborative rooms where bold choices and character-driven storytelling lead the way. This is Raf’s first time performing with Bard on the Beach.
Anthony Santiago (he/him)
Duncan / Citizen / Lord / Soldier
Anthony is delighted to be back for his third Season at Bard on the Beach after having appeared in Coriolanus (2019) and Love’s Labour’s Lost and The Winter’s Tale (1997). Selected stage credits include Death and the King’s Horseman, King Lear, and The Diviners (Stratford); The Effect (Rumble/ITSAZOO); The Mousetrap and Sweat (Arts Club); Death of a Salesman and Angels in America, Part Two (Citadel); Oliver! and Anne of Green Gables (Gateway); Company (Raincity); Best of Enemies (Pacifi c Theatre); and A Prayer for Owen Meany and Dark Road (Ensemble Theatre). So much love to Alexis, James, and Nya-Manet.
Munish Sharma (he/him)
Macbeth
It is a dream come true to work here. Thank you for coming. Thank you for your support. Grateful for the opportunity to be in such iconic shows with a wonderful team. I’ll still be grateful tomorrow, and tomorrow, and tomorrow. Shout out to my friends who always inspire me to be better. Love to my family. Thank you for always being there for me. Hard work pays off. Enjoy the show!
Sara Vickruck (they/them)
Malcolm / Citizen / Understudy for Lady Macduff, Porter & Citizen
Sara is a multidisciplinary performer, actor, singer-songwriter, and theatre creator living on the unceded territories of the Halkomelem-speaking peoples. In addition to classical theatre, they are passionate about developing new works and collaborating on plays that integrate live music. Selected credits: Childish (Pacifi c Theatre); Circle Game (Firehall); Fun Home (Arts Club); and Peace Country (rice & beans), as well as multiple Seasons with Bard on the Beach. An award-winning artist, they received a Jessie Richardson Theatre Award for sound design, multiple OVATION! Awards, and the Stage West Equity Emerging Artist Award.
Ashley Wright (he/him)
Lennox / Understudy for Duncan / Citizen / Lord & Solider
ACTING: The Merry Wives of Windsor, Romeo and Juliet, King John, and King Lear (Bard on the Beach). Other credits: Little Shop of Horrors, Cost of Living, and Sweat (Arts Club); Shakespeare in Love, A Christmas Carol, and Hamlet (Citadel); Red Priest, The Black Rider, and Slavs! (Tarragon); As You Like It, Of Mice and Men, and Omnium Gatherum (Canadian Stage); The Trials of Ezra Pound (Stratford); and Room and Les Misérables (Mirvish). DIRECTING: Cats (Theatre Under the Stars); Deafy (Citadel/Canadian Tour); The Merry Wives of Windsor and Henry V (Freewill Shakespeare); Twelfth Night (Studio Theatre); and Silent Words (Workshop West).
Creative & Production
Jessica Bournival (she/her)
Assistant Stage Manager
Born in Laval, Montreal and raised in Maple Ridge, Jessica is a Vancouver based stage manager and alumna of Bishop’s University. She’s very excited to be returning to Bard on the Beach this summer. Previous Bard credits include Henry V and Romeo and Juliet. Other recent credits include Franklinland, Ring of Fire, and Sexy Laundry (Arts Club); Burning Mom (Belfry); Bunny and Fairview (The Search Party); Home and Theatrum (Hip.Bang!); The Tempest Project (Music on Main); Parifam (vAct); Ceci est une histoire d’amour and Le Soulier (La Seizième); and Th’owxiya: The Angry Feast Dish and Quelqu’un t’aime Monsieur Hatch (Axis).
Mary Jane Coomber (they/them)
Composer & Sound Designer
Previously for Bard: Hamlet. Recent theatre: Little Women and The Mousetrap (Arts Club); Romeo and Juliet (Studio 58); Faye’s Room (Glitch); Ms. Holmes & Ms. Watson—Apt. 2B (Gateway); Au Grand Jour (La Seizième); Lasa Ng Imperyo (rice & beans); The Hobbit (Pacific Theatre); and Eyes of the Beast and Fat Joke (Neworld). Mary Jane is a member of ADC659 and a graduate of the School for the Contemporary Arts at SFU.
Glitter Esquivias (she/her)
Apprentice Director
Glitter is a Secwépemc First Nation multidisciplinary artist local to Vancouver and the Okanagan. She is a recent graduate of Capilano University’s Acting for Stage and Screen program. Select credits include Doctor Van Helsing, Dracula: A Feminist Revenge Fantasy. Really. (CapU Theatre); Gloria, The Song of the Swan (Runaway Moon Theatre); and a lead in an Indigenous student short film, “A Cautionary Tale.” Directing credits include Little Women (CapU Theatre, as Assistant Director). Glitter has also championed many summers co-hosting events with the Salmon Arm Arts Centre. She loves striving for growth, driven by the power to create and collaborate.
Lisa Goebel (she/her)
Intimacy Director
Delighted to be returning for her fifth Season, Lisa’s select credits include intimacy director for Harlem Duet and choreographer/intimacy director for Hamlet and The Dark Lady. Recent credits: intimacy director for La Bohème (Vancouver Opera); Wildwoman (Gateway/Alberta Theatre Projects); The Effect (Rumble/ITSAZOO); and Come from Away (Arts Club) and choreographer/intimacy director for Bright Star (Garner Theatre Productions/Mirvish). Lisa completed her Intimacy Certification through Intimacy Directors and Coordinators and is a graduate of Studio 58.
Alana Hawley Purvis (she/her)
Voice & Text Coach
Alana is a professional actor and coach who has worked throughout North and Central America. She is a graduate of the Stratford Festival’s Birmingham Conservatory and holds her MFA from the American Academy for Classical Acting, as well as her ARCT in Voice from the Royal Conservatory of Music. A member of ACTRA/UBCP and CAEA, Alana has two decades of professional acting experience, working in both theatre and film/TV. Alana is an adjunct professor of voice at the University of British Columbia’s BFA Theatre & Film Program.
Jonathan Hawley Purvis
Fight Director
This is Jonathan’s sixth Season with Bard. Some of his choreography highlights include As You Like It, Hamlet, Henry V, Julius Caesar, Romeo and Juliet, Shakespeare in Love, The Taming of the Shrew, and Macbeth. He has worked as an actor and fight director in theatres across Canada and in the US. Jonathan also works as an actor and stunt performer in film and television, including The Last of Us, Tracker, Allegiance, Fire Country, When Calls the Heart, and Motherland. Love to his family.
Alaia Hamer
Costume Designer
Alaia is a theatre designer originally from the Gulf Islands. She is a graduate of UBC’s Theatre Design and English Literature programs. Recent costume design credits: The Dark Lady, The Complete Works of William Shakespeare (abridged) [revised] [again], and Measure for Measure (Bard on the Beach); Frozen, Miracle on 34th Street, Million Dollar Quartet, and Sexy Laundry (Arts Club); and East Van Panto: Robin Hood and Beauty and the Beast (Theatre Replacement). Recent set design credits: The Hobbit, A Case for the Existence of God, and God Said This (Pacific Theatre); Ce que je sais de vrai and Liste des enfants dévorés par les loups (La Seizième); and On Native Land (Urban Ink/Raven).
Jeff Harrison
Lighting Designer
Jeff is a four-time Jessie Award–winning lighting designer for his work on Pharaoh Serket and the Lost Stone of Fire (Carousel); Floyd Collins (Patrick Street); Blasted (Pi); and Hand to God (Arts Club). He is a member of the Associated Designers of Canada. Recent lighting credits: The Dark Lady (Bard on the Beach) and Tomson Highway’s Rose (NAC Indigenous Theatre).
Alison Matthews
Voice & Text Coach
Alison teaches voice for the University of Alberta’s BFA Acting program and coordinates the MFA in Theatre Voice Pedagogy. She holds an MFA in Theatre from UBC and a Diploma in Drama & Speech from Trinity College London. She was a founding faculty member with the Arts Club Actor’s Intensive and taught voice, text, and dialects with the Banff/Citadel Professional Theatre Program. Alison is a founding board member of the National Voice Association and currently serves as Member-at-Large and Co-Chair of the Membership Committee. A member of UBCP/ACTRA and CAEA, she has three decades of acting experience in theatre, film/TV, and voice-over. alisonmatthews.com
Amir Ofek
Set Designer
Education: Central Saint Martins College of Art & Design (BFA), Brandeis University (MFA). Previously for Bard: Henry V (2023), A Midsummer Night’s Dream (2022), and Pericles (2016).
Jenica Ross
Assistant to the Set Designer
This is Jenica’s third year with Bard on the Beach. Coming from UBC’s Bachelor of Environmental Design program, she has found her way to working full-time in theatre as a scenic carpenter, set designer, design assistant, and draftsperson. Jenica remains grateful for the opportunity to work for Bard this Season.
Joanne P.B. Smith
Stage Manager
Some credits include eighteen Seasons in the Douglas Campbell Theatre tent and four Seasons on the BMO Mainstage at Bard on the Beach. There are others too numerous to mention. Thank you for attending a live theatre event.
Caroline Tang (any)
Apprentice Stage Manager
Caroline 曉鳳 is a stage manager based on the unceded territories of the xʷməθkwəy̓əm, hən̓q̓əmin̓əm̓, and Coast Salish Nations. A graduate of UBC’s Theatre Production and Design program, Caroline is grateful for her mentors, loved ones, and Bard for another fun-fi lled summer! Select stage management credits: Così fan tutte (Vancouver Opera); Much Ado About Nothing and The Two Gentlemen of Verona (Bard on the Beach); Someone Like You (Arts Club on Tour); East Van Panto: West Van Story, Robin Hood, and Beauty and the Beast (Theatre Replacement); Parifam (vAct); and Newsies (Theatre Under the Stars).
Ganesh Thava (he/him)
Apprentice Director
Caroline 曉鳳 is a stage manager based on the unceded territories of the xʷməθkwəy̓əm, hən̓q̓əmin̓əm̓, and Coast Salish Nations. A graduate of UBC’s Theatre Production and Design program, Caroline is grateful for her mentors, loved ones, and Bard for another fun-fi lled summer! Select stage management credits: Così fan tutte (Vancouver Opera); Much Ado About Nothing and The Two Gentlemen of Verona (Bard on the Beach); Someone Like You (Arts Club on Tour); East Van Panto: West Van Story, Robin Hood, and Beauty and the Beast (Theatre Replacement); Parifam (vAct); and Newsies (Theatre Under the Stars).
Jillian White
Assistant Lighting Designer
Jill is a queer lighting designer living on the unceded territories of the xʷməθkʷəy ̓əm (Musqueam), Skwxwú7mesh (Squamish), and səlilwətaɬ (Tsleil-Waututh) peoples. After a decade at Caravan Farm Theatre, Jill is putting roots back down in the Lower Mainland. She is a three-time Jessie Award nominated designer, Capilano University graduate, and member of IATSE Local ADC659. Credits: Hey Viola! (Musical TheatreWorks); Never the Last (Delinquent), Little Women (Arts Club); Blackhorse and The Nutcracker (Caravan Farm); Steel Magnolias (Globe Theatre); Certified (Touchstone); and Inheritance (Alley/Touchstone). When Jill isn’t working, she likes to knit and go on adventures with her fiancé, Harrison. jillianwhite.com
View Season Schedule →Upcoming Dates
| 11June | Thursday | 7:30PM | Preview Good Availability | Book Now |
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