Goblin:Oedipus

July 5 to September 19, 2026 • Douglas Campbell Theatre

A riotous reinvention, Goblin:Oedipus is performed by the wildly popular Goblins—WUG, KRAGVA, and MOOG—whose irreverent take on Macbeth delighted audiences at Bard on the Beach in 2023. This time, the trio brings their chaotic curiosity and hilarious audience interaction to a fresh retelling of Sophocles’ tragic myth Oedipus the King, adapted by John Murrell. Amid a deadly plague that grips Thebes, Oedipus vows to uncover the murderer of the previous king, only to set himself on a path of shocking self-discovery. Determined to delve deeper into the Dionysian degeneracy of the human race, three Goblins offer up a cautionary tale of patricide, incest, and eye-gouging comedy that you won’t forget.

This production is for audiences that are 18 years of age and older. It contains adult themes and strong language that some people may find offensive.  

a Spontaneous Theatre creation

Production Sponsor

 

Header image: WUG. Photo by Terry Manzo.

The Story

After their staging of Macbeth turned out to be a rousing success, the Goblins are moving on from Shakespeare and turning their attention to Greek theatre. If you’re not as familiar with classical Greek theatre, we’ve got you covered—but read on at your own discretion, because it’s a harrowing one!

OEDIPUS THE KING (THE NON-GOBLIN VERSION)
After liberating Thebes from the Sphinx, Oedipus becomes King and marries the recently widowed Queen Jocasta. Years later, a deadly plague ravages the city. Oedipus asks his brother-in-law, Creon, to seek information from an oracle. The oracle tells him that the plague will only end when the murderer of the former king, Laius, is found and punished. To help with the investigation, Oedipus sends for Tiresias, a blind prophet, but Tiresias refuses to reveal what he has foreseen.

The two argue, and eventually Tiresias accuses Oedipus of being the murderer. As Tiresias leaves, he hints that Oedipus will be the father and brother to his own children, and the son of his own wife.

Jocasta reassures Oedipus by saying that not all prophecies come true. After all, a prophet told her that Laius would be murdered by his son, but Laius was killed by bandits at a crossroads. This sets off alarm bells for Oedipus, who once killed a man in self-defense at the same crossroads. He sends for the only eyewitness to Laius’ murder, a shepherd, to learn what happened. Oedipus also reveals that he left his hometown of Corinth after receiving a prophecy saying he would kill his father and commit incest with his mother.

A messenger arrives with news that Oedipus’ father, Polybus, is dead. Oedipus is relieved, but with his mother Merope still alive, the other half of the prophecy could still come true. Overhearing this, the messenger tells Oedipus not to worry, because Polybus and Merope are not his biological parents. A shepherd found Oedipus as an abandoned baby and arranged for him to be raised by the royal family. When the shepherd arrives, he reveals the truth. Afraid of the prophecy they received, Laius and Jocasta ordered the shepherd to kill their infant son, but he sent the baby Oedipus to Corinth instead.

Horrified, Oedipus realizes the prophecy he received has come true after all—and that he was never going to be able to outrun his tragic fate.

 

Translations of “The Story” available in the following languages below, click the button to read!
Chinese (Traditional)  Farsi  French  Korean  Punjabi  Spanish

ACTORS

WUG

KRAGVA

MOOG

CREATIVE & PRODUCTION

Jenny Kim (she/her)

Assistant Stage Manager

Jenny is honoured and pleased to be able to work with such talented individuals on both productions. For Bard: The Dark Lady, The Complete Works of William Shakespeare (abridged) [revised] [again], The Comedy of Errors, Measure for Measure, and Henry V. Other theatre credits: Franklinland (Arts Club); Mahabharata and What You Won’t Do For Love (Why Not); East Van Panto: Beauty and the Beast (Theatre Replacement); Teenage Dick, No Child..., Cipher, Sweat, Red Velvet, and Miracle on 34th Street (Arts Club); The Café (Aphotic/ITSAZOO); The Mountaintop (Pacific Theatre); 상자SANGJA (Pangaea Arts/ArtStageSan); and China Doll (Gateway).

Ralamy Kneeshaw

Costume Designer

Bard on the Beach Debut. Elsewhere: A Doll’s House (Arts Club & Theatre Calgary), Come From Away, Blithe Spirit, The Importance of Being Earnest (Theatre Calgary); Wizard of Oz, Charlotte’s Web [Betty Mitchell Award], The Seafarer, Teenage Dick (Alberta Theatre Projects); Goblin:Oedipus (Spontaneous Theatre – High Performance Rodeo); A Midsummer Night’s Dream (Shakespeare Company); The Strange Case of Dr. Jekyll & Mr. Hyde (Vertigo). Ralamy would like to thank Loose Moose Theatre for the chaos of their kids’ shows as it prepared her for the Goblins! Enjoy the journey humans…

Rebecca Mulvihill (she/her)

Stage Manager

Rebecca is very happy to return to Bard on the Beach for her 11th Season. Other theatre credits: fourteen seasons with the Arts Club, favourite credits there include Burning Mom, The Cull, Topdog/Underdog, and The Shoplifters; The Search Party’s inaugural production of The Father, as well as Bunny, Stupid F*cking Bird, Fairview, and The Amaryllis; and productions with Music on Main, La Seizième, Electric Company, Vancouver Opera, and many more. Rebecca lives with her partner Sebastian, and sends thanks to her family for their support.

John Webber

Associate Lighting Designer

John is honoured to be back once again at Bard. A longtime designer of both sets and lighting, he has had the privilege of working with some of Canada’s most talented and adventurous artists. Past credits at Bard include Timon of Athens, Lysistrata, Othello, Pericles, Titus Andronicus, The Tempest, and Julius Caesar, and serving as Production Manager from 1997–2004.

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