Much Ado About Nothing
June 10 to September 20 • BMO MAINSTAGE
“As merry as the day is long.” Two of Shakespeare’s most tumultuous couples—sparring singles Beatrice and Benedick, and young lovers Claudio and Hero—discover all is not as it seems in an idyllic town recovering from war. Will the truth win in this mischievous game of love? Secret love, courtship, and marriage intertwine with darker themes of warfare, deception, and mischief in Much Ado About Nothing. Romance, wit, and mistaken identities power this new staging of Shakespeare’s beloved comedy full of colourful characters, passionate poetry, and Shakespeare’s wittiest wordplay.
Directed by Johnna Wright with additional text by Erin Shields.
Season and production run dates subject to change.
Production run time: TBA
Audience Advisories: TBA
Production Sponsor:
Photo Credit: Sheldon Elter as Benedick & Jennifer Lines as Beatrice
Photo & Image Design: Emily Cooper
The Story
“AS MERRY AS THE DAY IS LONG”
In an idyllic Mediterranean town, a “skirmish of wit” is afoot.
Leonato, the Governor of Messina, receives word that his old friend Don Pedro will be arriving in town shortly, accompanied by two fellow soldiers, a young Florentine nobleman named Claudio and the debonair lord Benedick.
The three soldiers, along with Don Pedro’s half-brother Don John and Don John’s followers Conrad and Borachio, are welcomed to the estate by Leonato, his daughter Hero, and his niece, Beatrice. Hero immediately captures Claudio’s heart, while Beatrice and Benedick quickly fall back into the “merry war” of wit going on between them.
Afterwards, Claudio tells Benedick that he is in love with Hero. While Benedick shoots down the notion of love, Don Pedro, who is a bit more of a romantic, offers to help Claudio win Hero’s heart. Unbeknownst to them, Borachio is eavesdropping on this conversation. Armed with this new piece of information, the disgraced Don John works with Borachio and Conrad on a scheme to sabotage this intended marriage.
“LOVE MAY TRANSFORM ME”
That night, Leonato hosts a masquerade dance to welcome his friends to Messina. Pretending to be Claudio, a masked Don Pedro approaches Hero, and the two leave the party while the real Claudio watches on nervously. Don John and Borachio try to interfere, but Don Pedro successfully woos Hero in Claudio’s name, and a wedding is set for a week later.
To pass the time until the happy nuptials, Don Pedro proposes a plan to bring Beatrice and Benedick together, even though the two of them have both sworn off the idea of marriage (and each other). Don Pedro, Claudio, and Leonato conspire for Benedick to listen in on a conversation where Leonato tells them that Beatrice is in love with Benedick. Likewise, Hero enlists the help of her attendants, Margaret and Ursula, to make Beatrice think Benedick has feelings for her.
However, while Beatrice and Benedick are busy making sense of their newfound feelings for each other, a more sinister plot is underway. Don John is determined to ruin Hero and Claudio’s wedding, and he hatches a plan to deceive Claudio into thinking Hero is unfaithful. With so much chaos and deception, will the truth be revealed—and true love prevail—or will “slanderous tongues” tear these two couples apart?
Translations of “The Story” available in the following languages below, click the button to read!
Chinese (Traditional) Farsi French Korean Punjabi Spanish
Director
Johnna Wright (she/her)
Director
As a director, Johnna believes in the power of theatre to change the way we see the world, and in the need for audiences to have that experience together. Past shows at Bard: All’s Well That Ends Well (co-directed with Rohit Chokhani), The Merry Wives of Windsor, and A Midsummer Night’s Dream in 1990 (as Titania). Johnna’s play Gaslight, co-written with Patty Jamieson, premiered at the Shaw Festival and has played in theatres across North America.
Actors
Scott Bellis (he/him)
Dogberry / Messenger / Monk, Understudy for Leonato / Member of the Watch
Scott has acted in or directed over 50 productions at Bard since the company was founded in 1990, and many others across the country. He dabbles a bit in film and TV, but is mostly a theatre rat. He remains grateful for the opportunities a life in the theatre grants him, and tries to give back to his community as best he can. He currently serves as Council President for the Canadian Actors’ Equity Association.
Jennifer Clement (she/her)
Ursula, Understudy for Conrad / Nun
Jennifer has 100+ credits in theatre/film/TV and is thrilled to return to Bard to tell stories on Senákw after playing Gertrude last summer. Recently, Jen was in Heroes of the Fourth Turning; taught at VFS and Haven; and directed The Lifespan of a Fact. A graduate of York and TMU, she has been honoured with the Lorena Gale Woman of Distinction Award and a Jessie Award for The Trespassers. Ever grateful to family and friends for support.
Steffanie Davis (she/her)
Attendant / Watch / Nun, Understudy for Verges / Nun / Ursula
Steffanie is an actor, singer, dancer, and model living on the unceded, stolen lands of the Musqueam, Squamish, and Tsleil-Waututh Nations. Recently she originated the role of Isabelle in the world premiere of Someone Like You with the Arts Club Theatre Company. Select recent credits: East Van Panto: Robin Hood and Beauty and the Beast (Theatre Replacement); We Will Rock You (Theatre Under the Stars); Cabaret (Raincity); and the Leading Player Project (EveryBODY on Stage). IG: @steffwithanff
Sheldon Elter (he/him)
Benedick
Sheldon is a Métis artist. Credits include Métis Mutt (One Little Indian Productions); Romeo and Juliet, Love’s Labour’s Lost, The Merchant of Venice, Twelfth Night, and A Midsummer Night’s Dream (Freewill Players); Every Brilliant Thing and The Bear and the Proposal (Caravan Farm); Where The Blood Mixes, King Lear, and Queen Goneril (Soulpepper); The Ministry of Grace (Belfry); BEARS (Punctuate! Theatre); A Streetcar Named Desire, One Man Two Guvnors, Julius Caesar, and Vimy (Citadel); Tartuffe and ENRON (NAC); and Nevermore (Catalyst Theatre).
Paige Fraser (she/her)
Verges / Nun, Understudy for Margaret / Seacole
Paige is so excited to return to the beach! Select credits include Coriolanus (Bard on the Beach); Elf: The Musical and Da Kink in My Hair (Arts Club); and What If and Like It or Not (Green Thumb). She is a graduate of Studio 58 and Capilano University and has been nominated for two Jessie Awards and won two OVATION! Awards. Huge thank yous to the da Costa team, and big love to Gabe.
Kristi Hansen (she/they)
Conrad / Nun, Understudy for Beatrice
Kristi is a disabled theatre artist who is thrilled to be making their Bard debut! Credits include The Comedy of Errors, Hamlet, A Midsummer Night’s Dream, King Lear, Romeo and Juliet, and Love’s Labour’s Lost (Freewill Players); The Silver Arrow, The Sound of Music, and Alice Through the Looking Glass (Citadel); The Bear and The Proposal (Caravan Farm); Beautiful Scars (Theatre Aquarius); The Invisible (Catalyst Theatre); Sweeney Todd (Plain Jane Theatre); Candide (Edmonton Opera); and Dear Rita (Confederation Centre of the Arts).
Matthew Ip Shaw 葉 銘 康
Don Pedro
Matthew is an accomplished actor, director, and fight choreographer whose work spans film, television, and theatre. His screen credits include See the Animal (TIFF), Harmony of Grey (Cannes), and voice work in projects such as Come Home Lassie and The Running Man. On stage, he has performed in A Midsummer Night’s Dream across Italy and continues to appear with New York City’s Lincoln Center Metropolitan Opera. With a repertoire ranging from Shakespearean classics to contemporary cinema, Matthew is known for his dedication to authentic storytelling, advocacy for diversity in the arts, and commitment to fostering creative collaboration. matthewipshaw.com
Karthik Kadam (he/him)
Don John / Sexton / Monk
This is Karthik’s fourth Season under the tents and he is thrilled to be back with two very exciting productions. Originally from Bangalore, India, Karthik is a graduate of UBC’s Acting program. For Bard: Measure for Measure, The Comedy of Errors, Henry V, and A Midsummer Night’s Dream. Other credits: Mahabharata (Why Not Theatre) and The Legend of Georgia McBride (Arts Club). In 2022, he was the recipient of Bard’s Edmund Kean Sword. For my family, always.
Sebastian Kroon (he/him)
Attendant / Member of the Watch / Monk, Understudy for Benedick / Don Pedro / Dogberry / Messenger / Monk
Sebastian first appeared on the Bard stage in 2011. As a performer, he has worked around the globe. In 2014 he received a Jessie Award nomination for his portrayal of Lennie in Of Mice and Men (Hardline Productions). As a writer, his work has been seen on stages across the country and published in English and Polish. Sebastian was born and raised in southern Alberta. In his spare time he paints little, plastic spacemen.
Jacob Leonard (he/him)
Attendant / Member of the Watch / Monk, Understudy for Claudio / Borachio / Friar
Over the last ten years, Jacob has had the pleasure of working with numerous incredible theatre companies and artists across Canada, but you may have seen him most recently in the Arts Club/Theatre Calgary co-production of Forgiveness or in The Sound Inside (all day breakfast theatre/The Search Party). Jacob is thrilled to be making his Bard debut and hopes you enjoy the show. Check out his website at jacob-leonard.com or his Instagram at @jacob_leonardo101 for more.
Jennifer Lines (she/her)
Beatrice
This is Jennifer’s 22nd Season with Bard. She was last seen in 2023 as Antony in Julius Caesar and Dame Francis and Dame Senior in As You Like it. Raised on a ranch in Midway, BC, she received her BFA in Acting from the University of Victoria. Film credits include Yellowjackets, The Irrational, and Resident Alien. Though she has performed across Canada and internationally, she is grateful to have spent much of her career under the tents at Vanier Park doing what she loves most: acting and gardening.
David Marr
Leonato / Member of the Watch
Numerous productions over the past Seasons. Last appeared in All’s Well That Ends Well (2019).
Agnes Tong (she/her)
Margaret / Seacole, Understudy for Hero
Agnes is thrilled to be making her Bard debut alongside such amazing artists. Theatre highlights: Salesman in China and Wendy and Peter Pan (Stratford); The Birds and the Bees, carried away on the crest of a wave, The Shoplifters, The Great Leap, King Charles III, and 4000 Miles (Arts Club); and Kim’s Convenience (Chemainus). Graduate of Studio 58. Love to her husband Brahm for the endless support, and Dean for this invitation to play.
Jennifer Tong (she/her)
Hero
Jennifer is delighted to be a part of Bard’s Season for the first time(!), sharing the stage with so many talented artists, and to be a part of Erin Shields’ modernized rendition of Much Ado About Nothing, which casts a spotlight on the female perspective. She’s a big believer in chasing dreams, the power of coffee, and the importance of storytelling. Select credits: FAKES (Netflix); Wild Cards (The CW/CBC); Fire Country (CBS); and The Good Doctor (ABC).
Angus Yam (he/him)
Claudio
Angus is based on the unceded Indigenous territories now known as Vancouver. He is delighted to be back on stage at Bard again. Mi Tiezeng and Red Guard, Salesman in China and Prince’s Guard, Partygoer, Romeo and Juliet (Stratford); Greg, Peace Country (rice & beans); Gilbert Blythe, Anne of Green Gables (Gateway); and Benvolio, Romeo and Juliet (Bard). Training: Studio 58. Shout-out to Mamei, hater sister, and friends. Glory to God.
Tanner Zerr (he/him)
Borachio / Friar, Understudy for Don John / Sexton / Monk
Tanner is a graduate of Studio 58. Tanner is also a recipient of the Carol Chrisjohn Scholarship, the 2022 E.V. Young Award for Outstanding Performance at Theatre Under the Stars, and the 2023 OVATION! Award for Outstanding Newcomer. Some of Tanner’s recent work includes Million Dollar Quartet and Jersey Boys (Arts Club) and Oliver! (Gateway). This is Tanner’s debut at Bard on the Beach, and he is thrilled to be part of this incredible company.
Creative & Production
Starlynn Chen (she/her)
Assistant Costume Designer
Starlynn is an emerging costume and set designer and a recent graduate of the Production Program at Studio 58. She gratefully acknowledges the opportunity to live, learn, and work on the unceded territory of the Coast Salish Peoples. Recent credits: Set Designer, Au Grand Jour (La Seizième) and Linck and Mülhahn (Studio 58); Apprentice Costume Designer, Twelfth Night (Bard on the Beach); Costume Designer, The Play That Goes Wrong (Metro Theatre); and Design Assistant, Father Tartuffe (Arts Club/Touchstone). starlynnchen.com
Ryan Cormack
Associate Set Designer
Ryan is returning for his fifth Season at Bard. He is a graduate of Queen’s University and studied set and costume design at NTS. Past credits: The Comedy of Errors, Measure for Measure, and A Shakesperience (Bard); Oliver! (Gateway); Yaga (Gateway/Touchstone); Jersey Boys (Arts Club); FourPlay (Studio 58); Parade (Raincity); The Last Wife (United Players); OZ (Carousel); Mr. Burns: A Post Electric Play (DSDM); and If/Then and Bring It On! (QMT). Assistant Designer: Done/Undone, Romeo and Juliet, As You Like It, and Julius Caesar (Bard); Kinky Boots and Forgiveness (Arts Club); The Jungle Book (Alberta Theatre Projects); and Actually and The Great Divide (Harold Green/Obsidian).
Mishelle Cuttler (she/her)
Sound Designer
Mishelle is a Vancouver-based composer and sound designer. This is her fifth Season at Bard, with credits in A Midsummer Night’s Dream, Shakespeare in Love, Done/Undone, and Lysistrata. Some favourite recent projects include Hedda Gabler (Stratford); the East Van Panto (Theatre Replacement); Someone Like You (Arts Club); and Made in Italy, A Christmas Carol, The Candidate and The Party (Citadel). Other credits include sound design for The Seventh Fire (Neworld); co-composition for Here Here (Little Chamber Music); and composition for Made in Canada (rice & beans). She has an MFA in Musical Theatre Composition from NYU Tisch and a BFA in Acting from UBC.
Lisa Goebel (she/her)
Intimacy Director
Delighted to be returning for her fourth Season, Lisa has worked as the intimacy director on Measure for Measure, Twelfth Night, Henry V, A Midsummer Night’s Dream, Romeo and Juliet, and Harlem Duet, and as the choreographer for Hamlet. Recent credits include choreographer/intimacy director for Pride and Prejudice (Western Canada/Gateway) and intimacy director for Madama Butterfly (Vancouver Opera). She completed her Intimacy Certification through Intimacy Directors and Coordinators and is a graduate of Studio 58.
Mara Gottler
Costume Designer
Mara has been designing costumes annually for Bard since its inception in 1990. Her recent designs for Bard include Twelfth Night, Henry V, and The Taming of the Shrew. Recently, she created costumes for United Players’ It’s a Wonderful Life: On the Air. Other design credits include Robert Lepage’s Le Rossignol (Canadian Opera Company/Opéra National de Lyon/Aix-en-Provence/Nederlands Opera); La Tempête (Huron-Wendat Nation/Ex Machina); Coriolanus (Stratford); and Coriolan (Théâtre de Nouveau Monde). Her creative work has also been showcased at World Stage Design exhibitions in Toronto and Cardiff. Mara continues to instruct courses in the prestigious Studio 58 design program.
Alana Hawley Purvis
Vocal Coach
Alana is an award-winning actor and vocal coach. A proud Canadian artist, she has performed on and worked with some of the fi nest stages in the country, including Stratford, Canadian Stage, Arts Club, Theatre Calgary, and Citadel Theatre. Alana is a graduate of the Academy for Classical Acting (MFA) and the Birmingham Conservatory. Her work on film includes The Recruit (Netflix), Supergirl (CBS/The CW), Charmed (The CW), Range Roads (North Country), and a nomination for Best Actress at the 2022 Canadian Screen Awards. Alana teaches voice at UBC and is a proud member of the National Voice Association. alanahawleypurvis.com @alanahawleypurvis
Jonathan Hawley Purvis
Choreographer & Fight Director
Jonathan is a fight director, actor, choreographer, and stunt performer based out of Vancouver. Select credits: As You Like It, Hamlet, Julius Caesar, Henry V, Romeo and Juliet, A Midsummer Night’s Dream, Macbeth, The Taming of the Shrew, and Shakespeare in Love (Bard); As You Like It (Chicago Shakespeare, Milwaukee Rep, and Shakespeare Theatre Company); The Three Musketeers and Sweat (Arts Club); Antony and Cleopatra, The Three Musketeers, Julius Caesar, and Romeo and Juliet (St. Lawrence Shakespeare); and The Silver Arrow, Shakespeare In Love, West Side Story, Romeo and Juliet, and A Midsummer Night’s Dream (Citadel). Select film/TV credits: Tracker, Under the Bridge, Motherland, Fortunate Son, Faultline, and The Last of Us. jonathanpurvis.com
Pam Johnson
Set Designer
Since 1998, Pam’s Bard credits include last Season’s Twelfth Night and Hamlet, As You Like It, Julius Caesar, Romeo and Juliet, Done/Undone, Coriolanus, All’s Well that Ends Well, Much Ado About Nothing, The Winter’s Tale, The Merry Wives of Windsor, The Comedy of Errors, King Lear, Cymbeline, Hamlet, Twelfth Night, King John, Richard II, Titus Andronicus, Henry V, The Taming of the Shrew, A Midsummer Night’s Dream, Macbeth, Measure for Measure, and Richard III. Pam has received several Jessie Awards, as well as a 2012 GVPTA Career Achievement Award.
Geoff Jones (he/him)
Stage Manager
Geoff is a Vancouver-based stage manager. Some recent credits include Little Red Warrior and His Lawyer (Savage Society/Belfry); East Van Panto: Robin Hood (Theatre Replacement); Never the Last (Delinquent Theatre); Elf: The Musical, A Thousand Splendid Suns, The Great Leap, and Angels in America: Part One and Part Two (Arts Club); The Nutcracker, The Coyotes, Sedna, and Our Town (Caravan Farm); and King Arthur’s Night (Neworld). Geoff is a graduate of Studio 58.
Alison Matthews
Head Voice & Vocal Coach
This is Alison’s 16th Season with Bard. She teaches in the Drama Department at the University of Alberta. She was a founding faculty member with the Arts Club Actor’s Intensive and taught voice, text, and dialects with the Banff-Citadel Professional Theatre Program in Banff, Alberta. Alison has three decades of professional acting experience in theatre, film, television, and voice-over, and she is a founding board member of the National Voice Association.
Erin Shields
Additional Text Playwright
Erin is a Canadian playwright best known for radical adaptations of classical texts which bring neglected female characters centre stage. Her latest play, Ransacking Troy at the Stratford Festival this summer, is a retelling of the Trojan War narrative from the perspective of its female players. You can fi nd out more about Erin’s past and upcoming work on her website. erinshields.ca
Isaac Stuber Li 李德望 (he/him)
Apprentice Director
Isaac is an actor, director, and producer. Recent acting credits include Prince Caspian (Gallery 7); Goodnight Desdemona (Good Morning Juliet) (Blue Bridge); Forgiveness (Arts Club/Theatre Calgary); The Code (Green Thumb); She Sells Sea Shells (United Players); Anon(ymous), Cabaret, and Antony and Cleopatra (Studio 58); and Of Mice and Men (Promethean). Recent directing credits include Derwent is Different (Green Thumb) and King Lear and Saint Joan (Promethean). Artistic Director of Promethean Theatre.
Caroline Tang
Apprentice Stage Manager
Caroline is an emerging stage manager based on the traditional, ancestral, and unceded territories of the xʷməθkwəyə̓ m (Musqueam), hənq̓ ə̓ minə̓ m ̓ (Hul’qumi’num), and Coast Salish Nations. Caroline is thrilled to be working on two amazing shows and teams at Bard this summer! Select stage management credits: Someone Like You—On Tour (Arts Club); East Van Panto: Robin Hood and Beauty and the Beast (Theatre Replacement); Parifam (Vancouver Asian Canadian Theatre); and Newsies (Theatre Under the Stars).
Sophie Tang (she/her)
Lighting Designer
Sophie is an award-winning lighting and set designer working in theatre, opera, and dance. Selected credits: Twelfth Night, Henry V, Romeo and Juliet, and Harlem Duet (Bard); Pride and Prejudice (The Grand); The Little Prince (Pacific Opera Victoria); The Three Musketeers (Citadel/Arts Club); The Lehman Trilogy (Theatre Calgary); Salesman In China and The Rez Sisters (Stratford); The Apple Cart (Shaw); Jersey Boys, The Legend of Georgia McBride, Choir Boy, The Twelve Dates of Christmas, and The Orchard (After Chekhov) (Arts Club); and The Pearl Fishers and A Midsummer Night’s Dream (Vancouver Opera). sophieyufeitang.com
Jillian White
Assistant Lighting Designer
After many years of setting up tents at Bard, Jill is excited to be joining the design team! Jill is a three-time Jessie Award–nominated designer and member of IATSE Local ADC659. She has lit nearly every show at Caravan Farm Theatre for the past ten years, as well as stages throughout Canada. Favourite credits include Hey Viola! (Musical TheatreWorks); Never the Last (Delinquent Theatre); Blackhorse and The Nutcracker (Caravan Farm); Bright Blue Future (Hardline); Father Tartuffe (Arts Club/Touchstone); Nashville: Music City (Mayfi eld Dinner Theatre); Certified (Touchstone); Inheritance (Alley Theatre/Touchstone); and The Play That Goes Wrong (Confederation Centre of the Arts). jillianwhite.com
Yvonne Yip (she/her)
Assistant Stage Manager
Yvonne is a Hong Kong-Canadian stage manager. Recent credits include Salesman in China (Stratford); Assembly Hall (Kidd Pivot); and An Undeveloped Sound (Electric Company). Favourite projects include King Arthur’s Night (Neworld); the East Van Panto (Theatre Replacement); Kinky Boots (Arts Club); King of the Yees (Gateway); The Competition Is Fierce (ITSAZOO); Fall Away Home (Boca del Lupo); and Mother Courage and Her Children (Caravan Farm).
View Season Schedule →Upcoming Dates
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