Bard on the Beach Shakespeare Festival Announces 36th Season Productions 2025 Season Packs On Sale Now
SEPTEMBER 23, VANCOUVER, B.C./ / Traditional territory of the xʷməθkʷəy̓əm (Musqueam), Sḵwx̱wú7mesh (Squamish), and səlilwətaɬ (Tsleil-Waututh) Nations – The 2025 Bard on the Beach Shakespeare Festival will return to Sen̓áḵw/Vanier Park in Vancouver from June to September, 2025. The 2025 Season will include four dynamic productions including Much Ado About Nothing, The Two Gentlemen of Verona, The Complete Works of William Shakespeare (abridged) [revised] [again], and The Dark Lady.
“We’re thrilled to announce our 2025 Season,” said Christopher Gaze, Bard Founding Artistic Director. “Whether you’re a committed Shakespeare fan or have never been to the theatre before, we are confident you’ll find something to delight and inspire you. Our diverse Season will make you laugh, teach you something new, or maybe even convert the Shakespeare agnostic into Shakespeare lovers. We are thrilled with the depth of talent we’ve been able to secure to bring these tales, both timeless and new, to the stage for our audiences.”
On the BMO Mainstage it’s a new production of Much Ado About Nothing, packed with Shakespeare’s wittiest wordplay, romance, and intrigue. It will play in repertory with Shakespeare’s comedy of love and disguise, The Two Gentlemen of Verona, performed with a unique ‘80s musical twist. In the Douglas Campbell Theatre, two productions will play in repertory: the company debut of the global smash-hit The Complete Works of William Shakespeare (abridged) [revised] [again], and the intriguing new Canadian work The Dark Lady, by Jessica B. Hill.
ON STAGE AT BARD IN 2025
MUCH ADO ABOUT NOTHING—BMO Mainstage
“As merry as the day is long.” Two of Shakespeare’s most tumultuous couples—sparring singles Beatrice and Benedick, and young lovers Claudio and Hero—discover all is not as it seems in an idyllic town recovering from war. Will the truth win in this mischievous game of love? Secret love, courtship, and marriage intertwine with darker themes of warfare, deception, and mischief in Much Ado About Nothing. Romance, wit, and mistaken identities power this new staging of Shakespeare’s beloved comedy full of colourful characters, passionate poetry, and Shakespeare’s wittiest wordplay.
THE TWO GENTLEMEN OF VERONA—BMO Mainstage
OH, YEAH! It’s The Two Gentlemen of Verona—with a twist! This nostalgic visit to the ‘80s features the music of that candy-coloured decade, from unforgettable dance hits to tear-jerking ballads, as it celebrates friendship and the foolhardy ways young love makes us behave. Sent to court to learn to be “perfect gentlemen,” Valentine and Proteus are derailed by their attraction to Silvia, the ruler’s daughter. Adding to the fun, the role of Crab will be played by an actual dog, the only dog role in the Shakespearean canon.
THE COMPLETE WORKS OF WILLIAM SHAKESPEARE (ABRIDGED) [REVISED] [AGAIN]—Douglas Campbell Theatre
The Complete Works of William Shakespeare (abridged) [revised] [again] has been loved the world over, and now this irreverent, fast-paced romp makes its Bard on the Beach debut. Three players present an acclaimed (and hilarious) [and irresistible] sprint through all of Shakespeare’s canonical plays (plus the sonnets!). It’s a wild ride through the Bard’s histories, tragedies, and comedies that will leave you helpless with laughter. As The Today Show says, “If you like Shakespeare, you’ll like this show. If you hate Shakespeare, you’ll love this show!” By Adam Long, Daniel Singer, and Jess Winfield; new revisions by Daniel Singer and Jess Winfield.
THE DARK LADY—Douglas Campbell Theatre
Celebrated Canadian playwright and actor Jessica B. Hill’s The Dark Lady reclaims a story that was almost lost; that of Emilia Bassano, an intriguing multiracial, trilingual woman who was also a talented musician and England’s first female published poet. Is Bassano the “Dark Lady” of Shakespeare’s sonnets? This witty and intimate production brings the two poets together in a complex love story about art, collaboration, desire, and ambition. The dialogue “cracks like a whip” (Winnipeg Free Press) and helps us both understand and challenge our love of Shakespeare through a powerful exploration of love and legacy.
2025 BARD SEASON PACKS OFFER THE BEST SAVINGS OF THE YEAR!
2025 Bard Premium A+ and Regular Season Packs are now on sale! All Packs include one ticket for each production; seat selection opens in 2025, before the general public can purchase tickets.
- Premium A+ Packs include A+ seating on any date—enjoy ultimate flexibility. You choose the dates, you choose the seats, includes every seat in the house.
- Regular Packs include A seats for your choice of dates. Save more and still see the performances from great seats.
Enjoy up to a substantial 36% discount on tickets to all four productions, with these lowest-price Season Launch rates in effect until October 6 at 11:59pm; Pack prices increase October 7. Visit bardonthebeach.org/ for full details and to purchase online now!
The popular Bard Flex Packs, which include flexible voucher for 2, 4, or 8 tickets, will be available at Early Bird prices October 21.
Bard on the Beach gratefully acknowledges the corporate sponsors and donors who support and sustain the Festival and its programs, including returning Mainstage sponsor BMO and Production Sponsors Lawson Lundell LLC and Odlum Brown.
About Bard on the Beach Shakespeare Festival
Bard on the Beach is one of Canada’s largest not-for-profit, professional Shakespeare festivals. Established in 1990, Bard’s mission is to create transformational experiences through exceptional theatre, training and education opportunities that inspire, resonate, and promote the exchange of ideas. As well as its annual summer Festival, Bard offers year-round education and training programs for youth, adults and theatre professionals in its administrative home at the BMO Theatre Centre in Olympic Village as well as in schools and community facilities throughout the Lower Mainland of British Columbia.
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A selection of photographs for media use is available on the Bard website.
Please contact Cynnamon Schreinert for password access or interviews.
Tel: 604-802-2733; email: [email protected]