Praneet Akilla

Praneet Akilla is an Indian-Canadian actor and producer. Born in Mumbai, India and immigrating to Canada at the age of 9- he discovered his love for storytelling and performance art after years of training in Indian- classical music and immersing himself into old bollywood movies. Though he pursued a Chemical Engineering degree in McGill University and worked as an engineer for 2 years- he always wanted to pursue acting. While analyzing water filtration systems by day, he would act in several community theatre productions at night- secretly practicing his monologues in stairwells or empty parking lots at work. After finally deciding to quit his job and to follow his passion, he has in short order performed in lead roles with major theatre companies across Canada. Most recently he was in Cipher @ The Arts Club Theatre Company, Iceland @ Theatre Calgary, a company member of Coriolanus @ Bard on the Beach and The Penelopiad @ The Grand Theatre in London, Ontario. He has played quite a few roles in the Shakespeare canon as well- most recently Brutus in Coriolanus, Edmund in King Lear, Orlando in As You Like it, and Malcolm in The Scottish Play. He is a 2 time Calgary Theatre Critics Choice award nominee and a UBCP/ACTRA award nominee for his role as Phillip Mishra in the 2020 Netflix original series "October Faction". You can currently see him starring in the TV series Nancy Drew on the CW and Motherland on Hulu/Freeform. He will also be starring in the new CBS/CBC series Skymed coming out in 2022 and will be performing in the ancient Indian mythology epic "Mahabharata" at the Shaw Theatre Festival in 2023.

Anousha Alamian

Anousha Alamian is an Actor and a Teaching Artist in Vancouver. He has acted on many of the major Canadian/US television shows and has performed with various theatre companies across Canada. Alongside his Acting, he has been teaching young kids of various ages at Bard on The Beach, which he is very passionate about. Born in Iran, he moved with his family to Montreal at the age of 11. Following his passion for acting and the arts, he enrolled in a professional theatre program at Dawson College and received the “Excellence in Acting” Award in his last year. Subsequently, Anousha pursued BFA at Ryerson University in Toronto, where he had a chance to work with acclaimed directors and was the recipient of the “Excellence in Speech Award”. Anousha then advanced to professional theatre companies including CanStage, The Arts Club and Vancouver's Shakespeare festival Bard On The Beach playing a variety of Shakespearean characters. Most recently he played the leading part of Rasheed in A Thousand Splendid Suns at The Grand Theatre.

Lindsey Angell

A Vancouver based performer, teacher and collaborative artist Lindsey most recently conducted her first Virtual World Building Workshop with Bard on the Beach! Her recent Bard on the Beach Credits include (Rosalind) As You Like It, Macbeth, Love's Labours Lost, Comedy of Errors. In addition to performing at Bard she has taught the Young Shakespeareans and in the Bard in the Classroom Program. Lindsey has performed on stages across Western Canada, in the development of original new works, exploration of the classics and debuting World and Canadian Premieres of some of the most cutting edge theatre. Lindsey is a graduate of Studio 58, a Jessie Award Winner and a recipient of the Hnatyshyn Foundation Grant for Theatre Artists.

Valeria Ascolese

Valeria Ascolese is a Peruvian-Italian multidisciplinary artist and educator born in Lima, Peru. A graduate of Capilano University, she has collaborated with theatre companies like Western Canada Theatre, Electric Company Theatre, Bard on the Beach, Carousel Theatre for Young People, rice&beans theatre, Aluna Theatre, Ay! Caramba Theatre and Rumble Theatre, while simultaneously working in film and TV. She is also an arts administrator and works for numerous schools and theatre companies creating drama curricula for education and after-school programs. Valeria holds a TEFL-PP certificate and frequently teaches English and Drama in public and private schools in Italy.

Scott Bellis

Scott Bellis is a Vancouver-based actor, director and acting instructor. He studied Theatre Arts at Studio 58 (Langara College). He is a founding company member of Bard on the Beach, where he has played roles such as Hamlet, Petruchio, Brutus, Parolles, Bottom, Henry the Fifth, Lear’s Fool and King John in 50 productions there since 1990. In 2017 he directed Bard’s sell-out production of Two Gentlemen of Verona. He has taught acting at Studio 58, and is the co-founder of the Arts Club Theatre’s annual Actors’ Intensive, a five-week conservatory-style training program for established theatre artists. This program is in its 13th year. He has acted with theatre companies in Vancouver (including the Arts Club Theatre, Axis Theatre, Ruby Slippers Productions, The Electric Company, Virtual Stage, and Carousel Theatre) and across Canada. Scott has received several Jessie Richardson awards for his acting work and once for directing, His career has encompassed almost 200 productions and almost 4000 live performances. Scott also currently serves as Council President of Canadian Actors’ Equity Association.

Ian Butcher

Ian has been performing on the Bard stage and teaching Young Shakespearean Workshops and Bard in the Classroom courses for the past 10 years. He is also teaching at Carousel Theatre for Young People, developing his own class plans and acting courses. A graduate of Studio 58, Ian has worked extensively throughout Europe and Canada. Select Bard roles: Don Pedro, Oberon, Macduff, Angelo. Other selected theatre: Gross Misconduct (Speakeasy Theatre), Dracula (Chemainus), The Sound of Music (Gateway), Robin Hood (Carousel), Coriolanus (Coriolanus Co-Op). Film/TV: Riverdale, The 100, Super Girl, Motive, Arctic Air, Robocop, Almost Human, Supernatural, Stargate Universe, Stargate SG-1.

Arthi Chandra

Arthi Chandra is a Vancouver based director, writer, and theatre maker. Her practice is rooted in devising text-based new works, and adaptations of contemporary and classical plays. Her work examines ways in which identities of race, gender, class, and queerness intersect with one another, and how people and ideas are shaped by systems and institutions. Recent works include directing Done/Undone at Bard on the Beach, and Passenger Seat, a theatre concert centring on queerness and being seventeen. She has performed in Vancouver and New York. Arthi is the current Artistic Producing Intern at Theatre Replacement. She is a graduate of the theatre performance stream from Simon Fraser University’s School for the Contemporary Arts.

Tara Cheyenne Friedenberg

Tara is an award winning creator, performer, educator and Artistic Director of Tara Cheyenne Performance. As an educator Tara is fueled by the desire to help performers embody text, character, and creative inspiration and bring integration, joy and freedom to our voices and dynamic bodies. Tara is known for her unique and dynamic hybrid of dance, comedy and theatre. She has choreographed for 7 seasons of Bard on the Beach, The Arts Club, Studio 58, The Firehall Arts Centre, Ruby Slippers Theatre, Theatre Under the Stars, and Decidedly Jazz Dance Works among other. When she isn’t teaching and creating innovative movement for theatre she is performing her critically and audience acclaimed full length solos and ensemble works around the world (highlights: DanceBase/Edinburgh, South Bank Centre/London, On the Boards/Seattle USA, High Performance Rodeo/Calgary etc.). Tara lives on the unceded and traditional territory of the xʷməθkʷəy̓əm (Musqueam), səlil̓wətaɁɬ (Tsleil-Waututh) and Sḵwx̱wú7mesh Úxwumixw (Squamish Nation)/East Vancouver with her partner composer Marc Stewart and their son Jasper.

Camryn Chew

Camryn (she/they) is an actor and educator living and working on the unceded lands of the Sc̓əwaθən Məsteyəxʷ (Tsawwassen), xʷməθkwəy̓əm (Musqueam), Skwxwú7mesh (Squamish), and Səl̓ílwətaɬ (Tsleil-Waututh) Nations. She is a 2020 graduate of Capilano University's Acting for Stage and Screen program, where she played Lady Macbeth in Macbeth. She most recently appeared as an actor/collaborator as part of Delta Stageworks’ newly devised show Heirlooms & Baggage (My Mother’s Story). Camryn’s original play Sometimes I Feel Like I’m Not Even Me has been performed in Vancouver, San Diego, and Jersey City. Her new original one-act play Can’t Cope recently debuted as a reading at the Arts Club’s LEAP Festival. Camryn also works as a teaching artist at Carousel Theatre, as well as at various schools across the Lower Mainland.

Ashley Chodat

Ashley Chodat (she/her) is a playwright, dramaturg, deviser and teaching artist. In these roles, she has been fortunate to work for companies like Bard on the Beach, Arts Club, The Cultch, Green Thumb, Arts Umbrella, Little Mountain Lion, Carousel Theatre for Young People (Vancouver) Theatre SKAM, Kaleidoscope (Victoria) She is passionate about stories that explore teenage girlhood, speculative futures and intergenerational relationships. Recent playwright credits include: June Bug (Vancouver Fringe winner of TYP Family Forward Award, UpintheAir’s rEvolver Festival, Victoria Fringe) FRANK (Impulse Theatre Peek Show 14/Intrepid Incoming Fest) Ashley holds a Bachelor of Fine Arts in Applied Theatre from Uvic and a diploma in Theatre Performance from Douglas College.

Reese Cowley

Reese Cowley is a Sri Lankan-Canadian actor, director and playwright, born and raised in New Westminster, BC and is now based in Toronto, ON. She is a recent graduate of the Theatre and Drama Studies program at the University of Toronto Mississauga and Sheridan College. Recently, she performed in the English language premier of Emma Haché’s Lesson in Forgetting with Pleiades Theatre in Toronto. Reese has been at Bard on the Beach as a Riotous Youth Intern for two summers, and had the opportunity to work as a voiceover artist on the company’s feature film Done/ Undone last summer. Reese is delighted to be joining Bard again this summer as a Teaching Artist.

Katie Crompton

Katie Crompton (she/they) is an emerging multidisciplinary theatre performer, director, and educator. They are a graduate of Sheridan College’s Bachelor of Music Theatre Performance program, with an additional specialization in Theatre Direction. Katie had the privilege of acting as an assistant director on two productions as a part of Theatre Sheridan’s 2020/2021 season; The Last Broadcast, as a part of the First Drafts Festival, and TommorowLove. Select performance credits include: Homing In: A Mosaic Musical (Fabulist Theatre), Pippin: Reimagined and Cabaret (Theatre Sheridan), Joseph Jacket Multi-Mask (First Drafts Festival), and Living the Dream (CMTP). During Bard on the Beach’s 2019 season, Katie was a member of the Riotous Youth. Since that summer, her passion for Shakespeare has only grown and she has been a Teaching Artist with Bard since 2021.

Emily Dallas

Emily is an actor and arts educator, who is passionate about working with young and emerging artists to find their most authentic artistic expression. She has been lucky enough to perform with companies all across western Canada including Bard on the Beach, Arts Club, Citadel, Royal Manitoba Theatre Centre, Persephone, Lunchbox and Theatre Calgary. She has taught acting and musical theatre through the Arts Club Musical Theatre intensive, Calgary Young Peoples Theatre, the Performance Studio, and the Youth Singers of Calgary, and has taught writing and composition through UBC’s New Shoots Mentorship program and Calgary Opera’s ‘Let’s Create an Opera’ Program. She has trained through Fiasco Theatre’s conservatory program in NYC and through the Arts Club actors intensive. She holds a theatre performance diploma from MRU, a BFA in musical theatre from Pace University, and is currently pursuing her MFA in creative writing through UBC.

Natalie Davidson

Natalie is a queer-identified theatre artist, performer, and facilitator with a passion for interdisciplinary performance, inclusivity, and community arts engagement. She holds a BFA in Acting from the University of Alberta and has performed in challenging new forms of theatre such as “The Stranger” with DLT Teatro, and MACHiNE NOiSY’s “PROX:IMITY RE:MIX” project, where she also worked as a youth mentor. She has been teaching with Bard Education since 2017 and most recently facilitated workshops with Arts Umbrella and The Arts Club focusing on place-based theatre creation. Last year she completed her MA in Applied Theatre from the Royal Central School of Speech and Drama and is curious as to how Shakespeare might be examined from a decolonial lens. She is deeply grateful to call the unceded territories of the xʷməθkʷəy̓əm (Musquem), Sḵwx̱wú7mesh (Squamish), and Sel̓íl̓witulh (Tsleil-Waututh) peoples her home.

Bonnie Duff

Bonnie is a Finnish-Canadian theatre artist who has been teaching with Bard since 2017. Bonnie holds a BFA in Acting from the University of British Columbia, where she was the recipient of the Joy Coghill Award in Theatre, and also studied at the Guildhall School of Music and Drama in London, England. In Vancouver, Bonnie has worked as an actor, improvisor, director, educator, stage manager, playwright, (and even juggler!) with companies such as Carousel Theatre for Young People, Arts Umbrella, Awkward Stage Productions, Jericho Arts Centre, Playwrights Theatre Centre, Geekenders, and more. She has also participated in the Shaw Festival Monologue Jam and Theatre Gargantua’s Emerging Artist Roundtable in Toronto. Bonnie is passionate about deconstructing Shakespeare’s exclusive legacy, and facilitating collaborative explorations of what excites us about the Bard.

Mahayla Galliford

Mahayla Galliford (she/her) has had the joy of being a Young Shakespearean, a Riotous Youth, and now a Teaching Artist at Bard on the Beach. Her previous theatre work consists of musical theatre, stage work, and short films. Mahayla continues to explore and examine Shakespeare’s works through teaching Young Shakespearean workshops in the summers and studying and researching at the University of Victoria during the school year. She is currently pursuing an English Honours degree with a focus on Shakespeare and Early Modern Theatre through the lens of digital humanities. Mahayla is thrilled to be part of Bard Education.

Jeff Gladstone

Jeff is a multi-faceted actor, director and teacher with extensive training in improvisation, theatre & film. Born and raised in Treaty 7 land (Calgary) he holds a BFA in Drama from U of C, and was a member of the Loose Moose Theatre Company where he first trained with Keith Johnstone. Now living on the Unceded Coast Salish Territories (Vancouver), Jeff is the artistic director of the International Theatresports Institute, one of the largest improv networks in the world. Jeff is also co-founder and director of education for a new improvisational theatre company, Tightrope Impro Theatre. His work with Vancouver Opera, The Kettle Society, Vancouver Parks Board and the Carnegie Centre with artists living with mental illness and homelessness has had a huge impact on his teaching practice, leading with empathy and care, and creating a space that is as inclusive and safe as possible. Film credits include two films with Bruce Sweeney, Kingsway (TIFF 2018, Leo nomination for Best Supporting Actor) and the upcoming She Talks To Strangers (WFF 2023, Borsos Competition), and Marie Clements' feature film and 5-part mini series Bones of Crows (TIFF 2022). Theatre credits include four seasons at Bard on the Beach including the hit productions As You Like It, Comedy of Errors, Macbeth, Othello, Pericles & Alls Well That Ends Well.

Erik Gow

For the past 10 years Erik Gow has worked extensively around Canada as an actor, educator, composer, music director, and playwright. He is an instructor with Bard on the Beach, Arts Club Theatre, Gateway Theatre, UBC, Shadbolt Centre, the city of Burnaby, and numerous studios. His training has spanned conservatory style acting training at Studio 58, to decades of musical training through private voice studios, Jazz studies at VIU, and workshops with award winning composers such as Daniel Mate, Pasek and Paul, and Marvin Hamlisch. His background with music and theatre lends him to having a deep love and appreciation for the musical qualities of Shakespeare’s language, and offers various approaches into the work. Erik is equally at home leading young artists through exploration style learning with an emphasis on fun, and imagination to adults and professionals delving into the deepest parts of their craft. He always brings a sense of excitement, respect for the work, and joy of theatre.

Isabella Halladay

Isabella Halladay is a Vancouver based actress, musician, and Shakespeare enthusiast — she’s been reading the work of, performing in, and yelling about our favourite Bard since she’s been but a small child. She has been teaching with Bard Education since 2015, and is always thrilled to be creating and exploring Shakespeare's works. Isabella also teaches with Vancouver Opera's educational programming, Choral Stage, and throughout the community, working with students ages 4 to 18 across BC. Isabella graduated with her Bachelors of Music from the University of British Columbia studying Opera Performance. Since then, she has performed across Canada in musicals, dance, opera and theatre. She also performs improv with Instant Theatre’s “Shakespeare After Dark” (Shakespeare-inspired improv) and “Off Key” (fully improvised musicals). Isabella has sung with the Vancouver Symphony Orchestra and with choral groups such as Cor Flammae and the University Singers across Canada and Europe.

Alana Hawley Purvis

Alana is an actor, vocal coach and arts educator who has worked throughout North and Central America. She is a graduate of the Academy for Classical Acting (MFA), the University of Alberta BFA Acting Program, York University Teacher’s Certificate Program for Artists, and The Stratford Festival’s Birmingham Conservatory for Classical Theatre Training. She has performed with various theatre companies across the country including: Stratford Festival, Canadian Stage, Citadel Theatre, Theatre Calgary, Vertigo Theatre, Alberta Theatre Projects, Western Canada Theatre, and Theatre North West. Alana has served as a teaching artist and instructor at the University of Alberta, The Stratford Festival, Michigan State University, Douglas College, Theatre Alberta’s Artstrek, The Banff/Citadel Acting Program, various high schools throughout North America, and Edmonton’s The Speech Studio. She has collaborated with international organization CUSO in the development and operation of El Salvador’s youth at risk theatre program, ES ARTES.

Ming Hudson

Ming is a Vancouver based artist who pays rent on the lands stolen from the Musqueam, Squamish, and Tsleil-Waututh Nations. For 20 years, she has worked as a freelance performer, devised theatre creator, collaborative director, independent producer, and teaching artist both nationally and internationally. Her specializations are in physical theatre and the creation of new work as a collective ensemble. A graduate of the Advanced Devising Practice program at LISPA (now arthaus.berlin), Ming also holds a MA in Ensemble Theatre (Rose Bruford), and a BFA in Acting (UVic). Ming has worked for: Bard on the Beach, UBC, The Arts Club, vAct, UVic, Dell'Arte International, Two Planks and a Passion, TheatreOne, Chemainus Theatre Festival, CCPA, Gwaandak Theatre, Studio 58, Green Thumb Theatre, Theatre Replacement, Atomic Vaudeville, The Firehall, Boca del Lupo, Concrete Theatre, and Kaleidoscope Theatre. She has also created ten new productions, which have been performed in five countries.

Olivia Hutt

Olivia Hutt is a member of the Bard acting company. She is incredibly grateful to have performed on the unceded territories of the Squamish, Musquem, and Tsleil-Waututh First Nations. Thank you for supporting theatre! Previously at Bard: Portia in The Merchant of Venice, The Two Gentlemen of Verona. Training: Studio 58

Luisa Jojic

Performer, Teaching Artist, and Coach, Luisa has been part of the Education Team at Bard on the Beach since 2006. She is a founding instructor in both The Riotous Youth Program and Bard in Your Neighbourhood, and was the coordinator of the Young Shakespeareans program from 2013-2015. A multiple Jessie Richardson Theatre Award nominee, Luisa has worked as an actor with many celebrated theatre companies, including The Arts Club, Touchstone Theatre, Pi Theatre, The Gateway Theatre, Patrick Street Productions, and eight seasons with Bard. She is a YWCA Women of Distinction Award Nominee for her work leading True Voice Theatre Project, a community theatre program in the DTES which explores community and inclusion. She is a recipient of a Pacific Community Resources Award for Outstanding Practice in Teaching, and of the Edmund Keene Sword Award. Luisa holds a BFA in Acting from The University of British Columbia. She is deeply grateful to the Coast Salish Peoples on whose unceded territory she lives, works, learns and plays.

Kayvon Khoshkam

Kayvon is a graduate of The Canadian College of Performing Arts, and was born and raised in Saskatoon, SK. He has been teaching dramatic arts for the last ten years in Vancouver, including programs at the Gateway Theatre, Carousel Theatre and Bard on the Beach. He is a professional actor, director and producer. Kayvon is the Artistic Director of SpeakEasy Theatre, and the creator of The Pull Festival: Vancouver’s Ten Minute Play Festival.

Alexandra Lainfiesta

Born and raised in Guatemala, Alexandra’s a multiple award winning Latina actor, writer and educator. Most recently Alexandra was selected as one of eleven recipients for the BC Lieutenant Governor General Arts and Music Award. A graduate of Studio 58 and The Canadian College of Performing Arts, Alexandra is the recipient of two Jessie Richardson Awards for Best Actor in a lead role, two Dora Mavor Moore Awards as part of the ensemble that created “A Tonic For Desperate Times”, and a recipient of Arts Club Theatre’s 2022 Silver Commission to develop her play “Bella Luz”. A co-founder and member of the Canadian Latinx Theatre Artist Coalition and one of three BC/YUKON councillors for Canadian Actor’s Equity Association, Alexandra also works as an educator for Bard Education and Stratford Education. Her passion for writing and teaching has led her to currently pursue her MFA in writing at UVIC.

Amber Lewis

With over 15 years of teaching experience, Amber is honored to guide and inspire artists to connect to their fullest creative expression. A Teaching Artist with Bard since 2009, Amber has co-created with Bard Youth Fest, Young Shakespeareans, Bard in the Classroom and Bard for Life. In 2018, Amber spearheaded an initiative (supported in part by Bard) leading free Shakespeare Acting workshops in schools across Barbados. Amber also taught with Stagecoach School for the Performing Arts, The Young Actors Project, and Viva Voce Speech Arts Studio. As an Actor, Amber has performed on stages across Canada including: The Citadel, Arts Club, Pi Theatre, Theatre Network, The Mayfield, Chemainus Theatre Festival, Skirts-A-Fire, Punctuate! Theatre, Hart House and six seasons at Bard on the Beach. Recent Film and TV appearances include: The Good Doctor, Resident Alien, DC’s Legends of Tomorrow, Batwoman, The Secrets of Bella Vista and Time for Them to Come Home for Christmas. A lover of both theatre and film, Amber is currently preparing to direct the short film, Submission, with several other projects in development.

Anton Lipovetsky

Anton Lipovetsky is a theatrical composer, lyricist, performer and teacher based in Vancouver, BC. He has led and assisted workshops for students of all ages with Bard Education for over nine years. Anton has been a guest artist at post-secondary institutions such as Studio 58, Capliano, St. Lawrence College and Sheridan Theatre, and he currently facilitates workshops for Neworld Theatre’s Learning Ensemble Across Difference—an arts ensemble that encourages collaboration between neurodivergent and neurotypical performers. As an actor, Anton has performed for five seasons at Bard on the Beach including such roles as Posthumus, Cloten, Malcolm, Tybalt, Lucio, Hortensio and King James I. Other acting credits include King Arthur’s Night (Banff/NAC/Luminato), Christmas Carol (Belfry Theatre), and Urinetown (Firehall Arts Centre). Anton is an experienced composer, and is currently an artist-in-residence at Toronto-based Musical Stage Company as part of their Crescendo Series where he is at work on the score for Cowboy Tempest Cabaret (2020 PGC Tom Hendry Award Nominee). Anton is the recipient of two Jessie Richards Awards, four Ovation awards and a Vancouver Mayor's Arts Award for Emerging Theatre Artist. He is a graduate of the Studio 58 Acting program and the Stratford Festival Birmingham Conservatory for Classical Theatre.

Alison Matthews

Bard’s Head of Coaching, Alison Matthews is also an instructor at the Arts Club Actor’s Intensive and the Citadel Banff Professional Theatre Program. She has taught at Capilano University, Vancouver Island University and Leadership Vancouver Island.  For the past eighteen years she has provided individual instruction and group workshops to actors, teachers, and business professionals, and is a regular adjudicator for competitive speech festivals across Western Canada. With over two decades of professional acting experience,  Alison has numerous film and television credits,  including roles on such acclaimed series as The X-Files, Da Vinci’s Inquest, and Battlestar Galactica, as well as featured roles in films such as Disney's Snowdogs, and Final Destination 2. She has stage credits with the Belfry Theatre and The Firehall Arts Centre’s BC Buds: Spring Arts Festival, and has been in demand as a professional voice over artist for twenty-five years.

Paul Moniz de Sá

Paul has been working for over 25 years both on camera and on stage. He has been seen on stages across North America including the Vancouver Playhouse, the National Arts Centre and at the Charlottetown Festival in PEI. Paul has been in numerous Bard on the Beach productions including; Pericles (2003); MacBeth (2004); Midsummer Night’s Dream (2006); Two Gentleman of Verona (2017); Shakespeare in Love and The Taming of the Shrew (2019). Paul has also worked as a sound designer for various theatre companies in Vancouver including Bard on the Beach, the Arts Club Theatre and Touchstone Theatre. He received Jessie awards for his performances in "The Lion, The Witch and The Wardrobe" with Pacific Theatre and "The Overcoat" at the Vancouver Playhouse as well as Jessie nominations for his performance in "Driving Miss Daisy" at Pacific Theatre and his sound designs for "One In A Million" with Green Thumb Theatre and "The Prodigal Son" with Touchstone and Pacific Theatre. Paul is a graduate of Studio 58. Paul has also made a career as an instructor teaching sound design and acting both on and off camera with organizations such as Bard on the Beach, Douglas College, the Shadbolt Centre, Learning Through the Arts, and Arts Umbrella. Paul was the Artistic Director of Theatre, Music & Film at Arts Umbrella from 2008 to 2022. Paul lives in Traditional Coast Salish Lands, including the Tsleil-Waututh (səl̓ilw̓ətaʔɬ), Kwikwetlem (kʷikʷəƛ̓əm), Squamish (Sḵwx̱wú7mesh Úxwumixw) and Musqueam (xʷməθkʷəy̓əm) Nations.

Moya O'Connell

Moya O’Connell is originally from Vancouver where she received her BFA in theatre from UBC. For the past 20 years Moya has worked as an actor all over the country but primarily at Bard on the Beach (7 seasons) and The Shaw Festival (10 seasons). Some of her favorite parts include; Lady Macbeth in Macbeth, Portia in The Merchant of Venice, Hedda Gabler, Maggie in Cat on a Hot Tin Roof, Tracey Lord in The Philadelphia Story, Ophelia in Hamlet, Imogen in Cymbeline, Vivie Warren in Mrs. Warren’s Profession, Mary Swanson in Middletown and The Queen of Hearts in Alice in Wonderland. As an educator Moya has been working throughout her career with youth and adults: coaching, directing, leading workshops and teaching. She especially enjoys working on Shakespeare

Matthew Rhodes

Matthew Rhodes (he/him) is an emerging theatre artist with a deep passion for Shakespeare. He is a UBC BFA Acting graduate with a Masters of Management from the Sauder School of Business, and Riotous Youth Alumni. Along side being a teaching artist with Bard Education, he is the Associate Producer with Boca del Lupo, and is also a producer with Affair of Honor. At the 2023 Vancouver Fringe Festival he produced and directed Henry the 4th: Shrewsbury, an hour long adaptation of Shakespeare’s Henry IV Part 1. As an actor, he recently performed in Still/Falling with Green Thumb Theatre. During COVID-19 he was a producer, performer, and director for The Show Must Go Online, a global digital Shakespeare movement which is still available for free online.

Jason Sakaki

Jason Sakaki (he/him) is a theatre/film/tv artist based out of Vancouver, BC. He has collaborated with the Arts Club, Bard on the Beach, Urban Ink, Green Thumb, Gateway Theatre, Firehall Arts, and The Cultch. Jason has been seen recently on stage in The Sound of Music, The Matchmaker (Arts Club) and at Bard on the Beach in Shakespeare in Love and Taming of the Shrew. Outside of theatre, Jason has appeared in shows on Netflix, Disney Channel, AMC, GAC Family, Warner Bros, Paramount+, the CW, and in the lead cast of the Disney+ Feature Film “Prom Pact”.

Mike Stack

Mike is a Vancouver-based theatre educator, adjudicator, performer, and director with over thirty-five years of professional experience. As a performer he has worked with Bard on the Beach, the Arts Club, Axis Theatre, the Gateway, Touchstone Theatre, Ruby Slippers, Pi Theatre, and the Vancouver Playhouse, among others, and has been fortunate enough to tour throughout North America as well as overseas. Mike is currently one of the directors and writers for Mortal Coil Performance Society and the Ghost Train in Stanley Park. His extensive experience with young people includes fifteen years as coordinator of the Young Shakespeareans Summer Workshops program at Bard on the Beach, resident director for Theatre Temp at Templeton Secondary in East Vancouver, and guest director with Smithers Secondary. Since 2002 he has led ongoing Shakespeare workshops for Homelearners throughout the Lower Mainland community. He also serves as an adjudicator of Speech Arts at festivals throughout British Columbia and Alberta. Mike is a multiple Jessie Award nominee and recipient, and a graduate of the Studio 58 Professional Theatre training program.

Todd Thomson

Since 2001 Todd has performed inten seasons with Bard on the Beach; during this time, Todd has been a Young Shakespearean teaching artist and has had the opportunity of providing guidance to over 200 young performers about the craft of acting through the exploration of Shakespeare’s plays. Todd has led workshops in Romeo and Juliet, The Tempest, Julius Caesar, A Mid-Summer’s Night Dream, Macbeth, Twelfth Night, Hamlet and As You Like It.Todd has worked in theatres across Canada; favourite roles include, Edin The Curious Incident of the Dog in the Night Time, Caliban in The Tempest, Orsino in Twelfth Night, Shylock in The Merchant of Venice, Bernard in Don’t Dress for Dinner and Orlando in As You Like It.As a teaching artist, Todd endeavours to create a fun, safe and respectful environment where participants can thrive, learn and grow.

Andrew Wheeler